中國古代詩學詩生成論探秘

Exploring the Poetry Generation Theory in Chinese Ancient Poetics

毛正天(Zheng-Tian Mao)

《淡江中文學報》 18期 (2008/06) Pp. 1-21

https://doi.org/10.6187/tkujcl.200806.18-1

摘要

詩是人類審美意識的表現。審美意識來自於何處，即詩是如何生成是中國古代詩學探索甚多且果獲深刻的命題。源起於兩千多年前的中國古代心理詩學從「天人合一」的哲學基礎出發，探尋心物的審美感應，認為詩生成於主體與客體的審美關係中，是主體心靈與客體物象碰撞中所閃爆的靈光，是主客體微妙關係所結出的智慧之果。

關鍵字

心物關係 ； 審美感應 ； 詩生成論 ； 民族特色

並列摘要

Poetry is the embodiment of human esthetic consciousness. What is the source or origin of this consciousness, i.e. how is poetry generated is a subject much explored in the Chinese ancient poetics. The Chinese ancient psychological poetics dating back to over 2000 years tries to explore the esthetic interaction between spirits and objects based on the philosophic idea of Unity of the Heaven and Man, whereby poetry is thought to be generated in the esthetical relationship between subject and object, and is the flash of inspiration out of the collision between subject and object, as well as the fruit of wisdom generated from the subtle relationship between subject and object.

並列關鍵字

spirits-objects relation ； esthetic interaction ； poetry generation theory ； national characteristics

參考文獻

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吳喬、郭紹虞編選、富壽蓀校點(1983)。清詩話續編。上海:上海古籍出版社。