呂格爾的詩學敘事與寬「容」／「融」哲學研究

本論文將透過解析當代哲學家呂格爾的思想中，對於詩學的敘事，如何可作為一種當代的哲學模型，提供當代的寬容哲學研究。本論文並將透過符號的同音異字的解構式的呈現，將當代的法國哲學家德希達之延異概念的設計，導入研究中。本文擬透過容與融的概念字詞之同音性，將當代的德希達式的哲學研究心得融入用以解析呂格爾的思想，以研究解析呂格爾的間際概念。透過德希達的思想進路，以迂迴概念，做出符號的迂迴模式的路線。總結這幾個概念的整理，我們認為呂格爾之詩學的敘事，指出的是一種面對於敘事研究的主要議題，提出對於主要情節鋪陳化的過程之效果的貢獻。在詩學敘事之下，我們可以建議一種被稱為詩學敘事與寬容∕融的研究，作為呂格爾思想的模型之研究。

關鍵字

詩學；敘事；呂格爾；寬容；間際；德希達；迂迴

並列摘要

The paper will analyse contemporary philosopher Paul Riceur's idea on the poetic narrative. About how to apply this contemporary philosophical mode as the entrance of philosophy of fusion. We present through the same pronounciation in deconstructive way by using contemporary philosopher Jacques Derrida's idea for our understanding on Paul Ricoeur. By using the same path via the sameness of pronounciation in Chinese words, we work on Ricoeur's concept of distanciation. Derrida establishes the detour of the sign. In conclusion, we believe that Ricoeur's poetic narrative, he points out a dimension of the study of narrative. Through Ricoeur's process on the emplotment, we may suggest a kind of study as a method of pardon and fusion of poetic narrative on Paul Ricoeur.