從李鼎《石頭記》中的「幾個異樣女子」說到曹雪芹《石頭記》 中的「金陵十二釵」

本文為作者一系列新角度考證《紅樓夢》論文之一。所論重心為：否定「自傳說」、修正「唯曹說」；要點為：賈府乃以蘇州李家架構為原型、寶玉為蘇州織造李煦長子李鼎、李鼎發起並寫過幾回《石頭記》，以後方由雪芹接手批閱增刪。李鼎原構想中《石頭記》之出色女性，只能泛稱「幾個異樣女子」；雪芹接手後苦心重加規劃經營，方有「金陵十二釵」典型人物之形成。然據脂硯齊(亦即李鼎)批語所云：「十二釵正出蘇州」，則所謂金陵十二釵之原型，實仍當為蘇州十二釵也。

關鍵字

李鼎；雪芹；空空道人；金陵十二釵

並列摘要

This is one of a series of papers of the author's dealing with Hong-Iou Meng (Dream of the Red Chamber) from a new angle. The main point of the paper is to refute the“autobiography theory” and to revise the “the sole Cao house theory”. The Jia house in the novel is molded after the Li house in Suzhou. The leading character in the novel Jia Bao-yu implies Li Ding, the eldest son of Li Xu who was the director of the Imperial Suzhou Silk Factory in the Qing dynasty. Initially, Li Ding wrote several chapters of Si-Tou Ji. Then Cao Xue-qin took over and rewrote and expanded it. In the original version of Si-Tou Ji created by Li Ding, the characters include several females. Generally they are consided as“several unusual females”. After Cao Xue-qin took over and painstakingly rewrote the novel, “the Jingling twelve hairpins (beauties)” were thus created, forming remarkably typical characters in the novel. According to Zi-yan Zhai's (or Li Ding's) annotations, “twelve hairpins (beauties) are from Suzhou”The socalled“twelve Jinling hairpins (beauties)”are really“Suzhou twelve hairpins (beauties)”.

並列關鍵字

Li Ding ； Cao Xue-qin ； Kong-kong Dao-ren ； Jinling twelve hairpins

國際替代計量

從李鼎《石頭記》中的「幾個異樣女子」說到曹雪芹《石頭記》中的「金陵十二釵」

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