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消費研究中的政治經濟學爭議

Debates about Political Economy in Consumption Studies

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摘要


越來越多的商品被賦予文化的象徵意義,商品的文化化,使「文化經濟」概念越來越重要。我們研究文化經濟,可以從生產層面著手,也可以從消費層面著手。採取政治經濟學批判視野的研究者,在文化經濟和消費的研究上,強調異化、宰制、剝削、霸權、殖民等概念;而如果從「生產-消費」這一組概念而言,政治經濟學認為生產決定消費,亦即其重視的是生產因素(生產方式、生產關係),消費則被視均被動、異化,受資本家操弄的行為。在文化商品的象徵體系中,政治經濟學的研究視野認為象徵受到文化經濟中的霸權(例如跨國文化企業)所操弄,消費者只是文化商品象徵意義的被動接受者。然而消費研究的政治經濟學視野是有爭主義的,反對者認為消費與生產是兩個可以區分的概念,而且文化商品的消費者是有詮釋和創造力的。本文將從以下幾個議題探討消費研究中的政治經濟學爭議:消費是否只是生產的附屬概念?當代資本主義的發展,固然強化了文化經濟體系中的霸權努力,但是否亦增加了消費者的選擇?消費者真的只是被操弄者,還是消費者作為個人化的主體,能夠有自己對商品的詮釋和選擇?

並列摘要


In a postmodem society commodities are often signified as cultural symbols. Therefore, ”cultural economy” is becoming more and more important and could be studied in viewpoint of production or consumption. Researchers of political economy, in studying cultural economy and consumption, put great emphasis on conceptions such as alienation, domination, manipulation, hegemony, colonization and etc. They also argue that production determinates consumption. That is, only mode and relations of production count. Consumption is considered as a passive and alienated behavior dominated by capitalists. In the symbolic system of cultural commodities, according to political economy, symbols are manipulated by cultural hegemony (transnational enterprises for example). Consumers are just passive receivers of symbolic meanings of cultural commodities.However, this is not without dispute. Be opposed to political economy, some researchers believe that consumption could be an independent conception from production. Moreover, they argue that consumers own the capacity and power of interpretation and creativity. This paper discusses debates about political economy and some counter-theories in consumption studies. The main questions are: Is consumption only a conception derived from production? Have consumers more choices under the contemporary capitalism system? Are consumers merely manipulated by capitalists? Or they are individualized subjects and have their own interpretations and choice of commodities?

參考文獻


朱元鴻(2000)。文化產業-文化生產的結構分析。台北:遠流。
李天鐸、何慧雯(2003)。日本流行文化在台灣與亞洲(II)。台北:遠流。
孫治本。個人化與生活風格社群。台北:唐山。
徐佳馨(2002)。日本流行文化在台灣與亞洲(I)。台北:遠流。
Adorno, Theodor W.(1991).The Culture Industry.London:Routledge.

被引用紀錄


吳宜娟(2011)。創造宜蘭新故鄉:生活風格移居類型研究〔碩士論文,國立交通大學〕。華藝線上圖書館。https://doi.org/10.6842/NCTU.2011.00525
葉錡欣(2011)。從國族文物到城市資本積累:臺北故宮博物院文化形式的變遷〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/cycu201100854
鄭鈺琳(2007)。種出綠色生活圈:志願務農者的生活方式選擇與農耕生活風格社群之形成〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2007.02232
黃仁志(2006)。消費社會中的古蹟再利用-台北市的案例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2006.01669
蔡慶同(2005)。「創意」如何成為「商品」:論台灣動畫及遊戲產業的文化、工業與創新〔博士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2005.01920

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