初探台灣公共電視節目產製制度對公眾的想像與實踐：從“孽子”修剪事件談起

How Public Television Service (PTS) Imagine the Publics and Put into Practice? Discover from the Event of 'Crystal Boys'

李羏(Yang Lee)

《廣播與電視》 23期 (2004/07) Pp. 75-102

https://doi.org/10.30385/JRTS.200407_(23).0004

摘要

2003年2月於公共電視所播出的電視劇「孽子」，因公共電視認為其影像表現不適宜在晚間八點時段播出而需要有所修剪，此舉引發公共電視網站網友的抗議。本研究以此事件為例證，藉以討論公共電視產製制度如何想像公眾面貌，進而實踐公共電視的責任。本研究並進一步思考電視於民眾而言，是否僅能以「觀眾」的身份建立起兩者的關係，抑或尚有著另一種身份的想像及其實踐之道？

關鍵字

公共電視 ； 公眾 ； 節目產製制度 ； 孽子 ； 節目諮詢委員會

並列摘要

Before caring the literary drama-'Crystal Boys', PTS planed to edit the scenes of drama described the lovemaking between 2 males. PTS assumed those are not proper for presenting in prime time, 8:00 pm. Then publics entered a protest against the decision through the website of PTS. This study examined that how the program production system of PTS imagine the publics and make itself responsible for them?
After this, this study also demonstrated that publics were the viewers and treated as such was not proper for PTS making itself responsible. It needed to reconsider the new relationship between television and publics.

並列關鍵字

Public Television Service PTS ； publics ； production system ； Crystal Boys ； Advisory Council

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