摘要
康有為是中國近代史上一位重要的書法理論家，對於清末以後的書法界，有著很深遠的影響。而同時康氏也是一位卓越的理論實踐者，他不但樹立了恢宏的藝術理論，並且劍及履及的，也在書法的創作上，展現了氣勢磅礡的個人風采，為自創的學理，做了最動人的說明。本文論述是專就康氏的書法創作來著眼。首先是探討康氏學書的歷程，經由多方的揣摩、沉潛、師友的提攜，再加上個人特殊的氣質，終於形成了自成一家的見解。既有得於中，形諸於外，自然是非同凡響。他的書法創作，不論是橫豎撇捺，或是結體佈局，無不意態自若，孤詣獨抒。文中將透過實例之分析，藉以闡明其特色。經由本文的論述，將可充分了解康氏書法創作之藝術價值，並可以此作為康氏書學理論（廣藝舟雙楫）之最佳引證。
並列摘要
K'ang Yu-Wei is an theorist on calligraphy. He occupies an important place and has a great influence on the modern age. K'ang established an extensive, broad theory of calligraphy, and performed a task with full vigor on his works. He is the one whose knowledge and action go hand in hand.The purpose of this study puts emphasis on K'ang's calligraphy. First of all, it approaches K'ang process of learning calligraphy. He cultivated profound calligraphic skills in many sources-having learned and been directed by many masters, by diligent studying in many fields. With his unique temperament, finally he formed his views and observations on calligraphy. The lines and stuctures in calligraphy of K'ang's are so special that they achieve an impressive power.In this study, we'll discuss the characteristics of K'ang's calligraphy by analyzing his master pieces. After thorough discussion we realize how valuable his works are. And these works are the best proof of Kuang i-chou shuang-chi. [the Augmented Two Oars of the Calligraphy Boat]
延伸閱讀
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- 張天民（2014）。書法名家的硬筆字。中華書道，(86)，89-94。https://www.airitilibrary.com/Article/Detail?DocID=a0000459-201411-201501050029-201501050029-89-94
- 呂修（1967）。談書法教學。師友月刊，(4)，13-15。https://doi.org/10.6437/EM.196710.0013
- 李郁周（2011）。Study on the Source of Chen Ding-chi's Calligraphy Theory。興大人文學報，(46)，67-93。https://doi.org/10.30092/JHCLANCHU.201103.0003
- 洪碧蓮（2023）。A Brief Analysis of Yu Youren's Calligraphy Style of Integrating Inscriptions。書畫藝術學刊，(34)，345-368。https://www.airitilibrary.com/Article/Detail?DocID=a0000303-N202306090017-00012