- 期刊
商周時期的鴟鴞神
The Cli'ih-hsiao Figure on Artifacts of the Shang and Chou Dynasties
並列摘要
This article traces the origin and evolution of the ch'ih-hsiao, or barn-owl, figure on Chinese cultural artifacts from pre-historic through Han times. The author shows how the image of the ch'ih-hsiao originated during the pre-historic period as a kind of protective image against harm suffered from weapons, but by the Western Chou had evolved to become one of the more powerful god-figures of the period. In a last instance, the author analyzes how during the Han dynasty, the nature of the ch'ih-hsiao figure once again changed to take place as a guardian of lowly rank in the pantheon of gods and spirits of the time.
參考文獻
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黃河水庫考古隊華縣隊(1959)。陜西華縣柳子鎮第二次發掘的主要收穫。考古。11，587。
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Loehr, Max(1975).Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard Universtiy.
延伸閱讀
- 林巳奈夫（2000）。商周時期的地祇。國立臺灣大學美術史研究集刊，(9)，1-13+238。https://doi.org/10.6541/TJAH.2000.09.09.01
- 張懋鎔（2007）。夷曰匜研究——兼論商周青銅器功能的轉化問題。故宮學術季刊，25(1)，1-21。https://www.airitilibrary.com/Article/Detail?DocID=NPMS10119094-200712-202001010517-01
- 楚戈（1985）。商周時代的象徵藝術（三）。故宮文物月刊，(027)，94-97。https://www.airitilibrary.com/Article/Detail?DocID=NPMM10119078-198506-202001010027-14
- 楚戈（1985）。商周時代的象徵藝術（五）。故宮文物月刊，(029)，100-106。https://www.airitilibrary.com/Article/Detail?DocID=NPMM10119078-198508-202001010029-16
- 陳清茂（2021）。Image of Shad in the Poetry of Ming and Qing Dynasties。海洋文化學刊，(31)，45-76。https://www.airitilibrary.com/Article/Detail?DocID=a0000442-N202305230001-00002