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劈開字詞的極限經驗─探索黃荷生詩質的「隱形結構」

A Kind of Extreme Experience which Split to Words: Focusing on the Exploration of "Latent Structure" in Huang he-sheng's Poetic Language

摘要


筆者藉由五○年代青春詩人黃荷生在「台灣現代詩草創期」的一九五六年十一月出版《觸覺生活》詩集的閱讀與重新發現,進行追索黃荷生「語言近乎無象,近乎純粹的原始內心之喃喃」,一種混搭中不可測的詩質「隱形結構」中那其「最微妙的起點」。並且,循依著日內瓦學派深層精神「批評意識」的潛伏姿態,由梅洛龐蒂談論藝術的「間接語言」的特性開始,對詩語言的空間進行廣度的探索,劈開字詞與字詞之間,那藏匿在深處如海德格所啟迪的詩質核心─「深藏於本質中的東西」。這是詮釋批判的一種切入軌徑的詩學練習─「個體自身褶皺的世界對於一種原始生命的靈感與回歸」。穿透行進於黃荷生的「內部語言」諸種材質的表達之描繪、抒發、挖鑿、迂迴之際的精神性(綜合感覺、內在需要),在無法直接意陳的表達本體中,試圖圍捕詩語言與意識碎片的靈光(aura)乍現裡潛其洞察這樣一個無法歸類「完全純屬於自身之內的原始精神」的生命樣態,是一組奇幻複調的交響曲,一個生命體裡褶皺「最深的新形式」。

並列摘要


The author studies Huang he-sheng's poems miscellany ”Tactile Life”, published on November, 1956 during the beginning era of Taiwan's modern poetry to investigates Huang he-sheng's statement-Language which is close to nothing and much as the murmur of the primitive inner heart.-A mixture of unfathomable essence of ”Latent Structure” in poetic language which is a subtle Beginning.Focusing on the operation of the creative dimension, author followed to associated with the Geneva school of criticism, and starting with M. Merleau-Ponty discussed artistic the characteristic by ”The Indirect Language”. And this essay is devoted to the exploration widely of Huang he-sheng's poetic language of space, author split between words for the essence of poems as Heiderger enlightened.This is a kind of critical and analytical approach of poetry - Folds of a person's world about the inspiration of a kind of primitive life and the return. Exploring of different medium in Huang he-sheng's ”inner language”, characteristic turn of expression by the essence of depicting, cracking, expressing, indirect. (Feeling synthesis、Intrinsic demand) In such one own mile which is unable to express directly, author aiming to catch ”aura” of the poetic language for the first time presently while I read the poems, has an insight into such is unable to classify and own pure primitive spirit pattern of life.

參考文獻


李智偉(2006)。“and”的變幻世界:康丁斯基複數表達之初探(碩士論文)。國立中山大學哲學研究所。
施靜宜(2000)。五○年代的黃荷生詩研究(碩士論文)。中國文化大學中國文學碩士班。
翁文嫻(2006)。新詩語言結構的傳承和變形。成大中文學報。15
翁文嫻(1998)。創作的契機。台北:唐山。
黃荷生。觸覺生活。台北:現代詩季刊社。

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