解構與建構：論王潤華《地球村神話》的中國古典視角的異化書寫策略

Deconstruction and Construction: Discussion on the Chinese Classical Angle of View and Strategy of Dissimilation in Wang Run Hua's the Myths of Global Village

戴淑華(Shu-Fah Tai)

《臺灣詩學學刊》 19期 (2012/07) Pp. 141-168

https://doi.org/10.29813/TP.201207.0006

摘要

王潤華的《地球村神話》是具有後現代書寫特質的新詩集，所謂後現代書寫，大致涵蓋「解構」、「顛覆」、「反諷」、「拼貼」、「狂歡」等。詩人王潤華在《地球村神話》詩集裡，以中國古典神話為基礎並參照、吸收《山海經》、《淮南子》，來表現其建／解構的地球村神話特色書寫。除此之外，詩人筆下的地球村神話又以系列性組詩相互連結，在關聯、轉換與異化的過程中，逐步形成具有互文性文學特色的書寫形式。本文探討《地球村神話》詩集如何模仿中國古典神話的筆鋒來解構《山海經》、《淮南子》等中國古典文學著作的奇人異事。與此同時，筆者也將說明詩人王潤華何以在「解構亦是建構」的過程中建立互文性特色的現代版中國神話敘述，並藉由詩集中呈現古典與後現代間的敘述視角轉換，詳細說明《地球村神話》所展現出來的多元而豐富的社會文化內涵。最後，文論回歸於文學藝術與審美的體驗及分析，討論中國古典敘述視角在異化書寫策略上所呈顯的美感特色。

關鍵字

王潤華 ； 《地球村神話》 ； 解／建構 ； 中國古典視角 ； 異化策略

並列摘要

”The Myths of Global Village” written by Wang Run Hua is a collection of new poems exhibiting the characteristics of postmodern writing. The so-called postmodern writing basically covers the elements of ”deconstruction”, ”subversion”, ”irony”, ”spells-pastes”, ”revelry”, etc. In this poetry anthology, Wang referred to Chinese classical mythology as his writing basis and adopted the elements of ”The Classic of Mountains and Seas” as well as ”Huai Nan Zi” in expressing his constructed/ deconstructed mythic global village. Apart from that, ”The Myths of Global Village” described by the poet are interconnecting with one another in the forms of series. During the processes of linking, transforming and dissimilating, a writing style which exhibits properties of intertextuality is gradually established.This article is aimed to discuss how ”The Myths of Global Village” imitate the expressing style of Chinese classical mythology in deconstructing the eccentrics and unusual deeds found in classical literature such as ”The Classic of Mountains and Seas” and ”Huai Nan Zi”. Meanwhile, the author tries to interpret the establishment of intertextuality by the poet Wang in narrating modern Chinese Mythology through the process of ”deconstruction is also construction”. Besides, the author would like to illustrate in detail the rich and diverse social cultural connotation found in ”The Myths of Global Village”, through the angle of view interchange between classical and postmodern narration which is shown by the mentioned poetry anthology. Finally, the article goes back to the discussion on the experience and analysis of literature and art as well as aesthetic, where the aesthetic characteristics of Chinese classical narration in dissimilation writing strategy are focused.

並列關鍵字

Wang Run Hua ； "the Myths of Global Village" ； Deconstruction/Construction ； Chinese Classical Angle of View ； Strategy of Dissimilation

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