歷史‧性別‧生態：論蔡秀菊詩的現實關懷

2012年莫渝等人編選的《笠園玫瑰：笠女詩人選集》，收錄了陳秀喜、杜潘芳格、利玉芳、蔡秀菊、吳櫻、謝碧修、林鷺、陳怡瑾等八人的詩作，這是現今唯一以笠女詩人為主體的詩選，笠女詩園中隱藏著蔡秀菊貼近原始自然的聲音，表現抒情與敘事的圓熟，堪稱是笠園中的瑰寶。蔡秀菊的創作詩觀，始終以「笠詩社」的臺灣精神、在地性格與現實關懷為圭臬，她認為詩人應該確立中心思想，秉持真誠態度，投注多元的社會關懷；鄙棄吳儂軟語的情詩，拒絕標榜超現實主義的晦澀。其關懷社會的實踐力與文學創作的使命感，有如護土勇士，在臺灣女詩人中獨樹一幟，可惜現今尚無學術專論問世，因此，本論文特以蔡秀菊詩為探討主軸，梳理「歷史」、「性別」、「生態」三大核心主題，從中探察其現實關懷的面向、寫作的中心思想，以及如何體現「笠詩社」高舉臺灣精神、扎根於社會現實的文學特質，期待補足笠女詩人的別論研究。

關鍵字

蔡秀菊；笠女詩人；歷史；性別；生態

並列摘要

＂Liyuan Rose: A Colloection of Poems from Li-Poetry Poetesses＂, edited by Yu Mo in 2012, includes the poems of eight poetesees: Hsiu-Hsi Chen, Fang-Ko Tu Pan, Yu-Fang Li, Hsiu-Chu Tsai, Ying Wu, Pi-Hsiu Hsieh, Lu Lin and Yi-Jin Chen. This is the only poetry collection focusing on the Li-Poetery poetesses. In the Li-Poetry Group, the prinstine, natural voice of Hsiu-Chu Tsai is hidden. Such a voice presents the maturity of sentiment and narration; it is a treasure of the Li-Poetry Group. The poetry of Hsiu-Chu Tsai is always based on the Taiwanese spirit, local characterisitics and the realistic solicitude of the Li-Poetry Group. She believes that a poet should have a central belief, a sincere attitude and a diverse social solicitude. She abandons the romantic love poems, refuses obscure surrealism. Her practice in social solicitude and her belief in literary creation shape her personal image as a warrior who guards the territory, and thus make her stand out among the Taiwanese poetesses. There is still no academic study on her poetry. Accordingly, focusing on Tsai's poetry from three major theme: ＂history＂, ＂sex＂ and ＂ecology＂, this research explores its realistic solicitude, the central belief of her writing, and how it embodies the Taiwanese spirit and the social reality in which the literariness of her poems are rooted. This research expects to supplement the studies on the Li-Poetry poetesses.