戰後世代的意識覺醒：論李敏勇詩的本土性與全球性

詩，對李敏勇而言，是精神心靈的結晶，也是現實議題的凝視；其詩風格從浪漫走到寫實，始終對於詩持有崇高的信念，藝術性與現實性並重。在藝術表現上，屏東恆春的創作原點，成就自然意象的源頭活水；在現實關懷上，歷史是其詩不可或缺的元素，指控臺灣政治的威權壓迫，揭露社會文化的弊端叢生，表現尊重生命的人道關懷，映現戰後世代臺灣本土知識分子的意識覺醒。除此，李敏勇的學養特色之一，致力於拓展國際的視野，從米洛舒詩裡獲得精神鼓舞，堅持公理正義，追求超越國境和洲界的人類愛。本論文將奠基於前行研究成果，希望深化李敏勇詩藝美學與思想內涵的討論。詩藝美學方面，援引人文地理學的觀點，就屏東恆春家屋意象的原型特質，探討其自然意象的蘊育土壤；思想內涵方面，則就詩中的歷史語境為主軸，參佐新歷史主義論述，闡析其如何透過詩語言解構黨國專制的歷史神話？最後依據文化詩學的意義，探察詩人如何融鑄本土養分與跨國譯讀，建構出兼具歷史底蘊、文化意味、審美向度的文學觀點。期待藉此映現戰後世代本土知識分子的意識覺醒，彰顯李敏勇詩本土性與全球性的精神圖像。

關鍵字

李敏勇；詩藝美學；歷史文化；本土性；全球性

並列摘要

To Li Min-yong, poetry is the product of the spiritual mind and the observation about real-life issues. With his poems evolving from the romantic to the realistic style, he has always had a lofty belief in poetry and emphases on both the artistic and realistic qualities of it. Based on the results of previous studies, this paper seeks to deepen the discussion on the poetic aesthetics and thinking of the poems of Li Min-yong. In terms of poetic aesthetics, this paper adopts the concepts of human geography to discuss how archetypical features of his home in Hengchun Township, Pingtung County, serve as the soil to nurture the natural imagery of his poems. With regard to thinking, this paper uses the historical context of his poems as the main axis and refers to discourses of new historicism to analyze how he deconstructs the historical myth of the party-state dictatorship with his poems. Finally, based on notions of cultural poetics, this paper explores how the poet combines local elements and cross-national interpretations to construct a literary perspective that is historically informed, culturally meaningful, and aesthetically appealing. It is expected that by reflecting the awakening of consciousness of the local intellectual of the postwar generation, this paper can highlight the local and global features of the poems of Li Min-yong.