柳宗元「儺化」作品探析

An Analysis on the NuoLiterary Works of Liu Zongyuan

王幼華(You-Hua Wang)

《聯大學報》 7卷1期 (2010/06) Pp. 59-78

https://doi.org/10.29847/JNUU.201006.0004

摘要

本文首先詮釋何謂「儺化」式的創作，指出它是源自人類「狩獵驅趕」獸類的轉化。其次以柳宗元被貶斥後的作品為例，分析他雖努力在人事上周旋，卻仍不能重返政壇。因失望至極，又罹患重病，便有意識的將神鬼異物入文，期望能以儺化式的作品達到「解厄除難」的目的。然而這些文章因為批判性過強，未能讓他脫離困境，最後含恨病歿以終。

關鍵字

柳宗元 ； 儺化 ； 乞巧文 ； 愚溪對 ； 罵屍蟲文並序

並列摘要

This paper first explains the literary works of ”Nuo culture”, and indicates that Nuo originated from the transformation of ”hunting and expelling” animals. Then, it uses the works of Liu Zongyuan as examples to analyze his efforts in personnel matters and failure to return to politics. Due to extreme disappointment and suffering from a serious illness, he included ghosts, gods, and strange things into his writing in hope to achieve the purpose of ”disaster relief” with writing of Nuo culture. However, because these articles were too critical, he failed to escape from the predicament and eventually died of illness with a deep regret.

並列關鍵字

Liu Zongyuan ； NuoLiterary ； Qi Qiao Wen ； Yu Hsi Poem ； Ma Shi Chong Wen Bing Xu,

參考文獻

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唐柳宗元、吳文治編(1982)。柳宗元集。台北市:漢京文化事業有限公司。

(1971)。景印文淵閣四庫全書。台北:商務書局。

(1983)。景印文淵閣四庫全書。台北:商務書局。

〔宋〕魏仲舉輯。《五百家註柳先生集21卷，附錄4卷，新編外集3卷，龍城錄2卷》（台北，四庫善本藏書館）