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中國古典詩的線索設計研究

A Study of the Clue-hidden Structure in Classical Chinese Poetry

摘要


古人為詩,除講究起承轉合結構之外,又注意到線索設計。一首詩只要掌握線索,要瞭解它、欣賞它,就如按圖索驥一樣的容易。所以說:一線在手,通篇掌握。 本論文從縱貫式、橫貫式、及縱橫交貫式三方面來探討中國古典詩線索設計。

關鍵字

線索 縱貫式 橫貫式 縱橫交貫式

並列摘要


In composing poetry, ancient Chinese poets paid special attention to its clue-hidden structure as well as its beginning, coherence, transition and combination. As long as a reader is aware of the clues inherent in a poem, he is able to understand and appreciate it easily, just like having something at his fingertips. This paper aims at exploring the clue-hidden structure of classical Chinese poetry from three angles: chronologically, horizontally, and both combined.

參考文獻


清劉熙載(1985)。藝概•文概。臺北:華正書局。
梁劉勰(2000)。文心雕龍•附會。北京:中華書局。
清袁枚(1989)。續詩品。浙江:浙江古籍出版社。
清劉熙載(1985)。藝概•文概。臺北:華正書局。
朱自清(1989)。朱自清選集•了解與欣賞。河北:河北教育出版社。

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