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一個鄉土文學史進程的觀察

摘要


以土地書寫為主的文學,曾在七0年代中末期轟轟烈烈的爆發了文學論戰,後人名之為「鄉土文學論戰」。事隔今日,在後現代書寫方式的流行下,單一意義的論述方式不再被注意,這股鄉土文學潮流在面對百花齊放、多元脈絡的書寫下,似乎顯得隱伏不宣。但描寫人類與其周遭土地、生活環境的關餘,本是文學重要題材之一,文學外在時空可變,形式可變,思潮可變,鄉土文學精神意義的傳承在目前的本土文學上找到著力點。以長時間角度觀之,一個鄉土文學史的建構正逐步完成。在這樣自成體系的鄉土文學史下,如何去檢視其規律的構成要素、土地書寫的特性、甚至其政治意圖,是本文觀察的重點。

並列摘要


The literary arena in Taiwan had happened a fierce polemic for writing land in 1970s, what is called"a polemic of xiang-tu literature "The affair is over and the situation has changed, tins single narrative ignored compared with postmod-em writing in the modem. The trend lie concealed temporarily whichwhenconfronts postmodem writing is flourishing and varied. But, no matterhow cha-ngis literary time and space, form, and trend of thought, describing territory and circumstance has a bearing on humanbeingis an important subject ofliter-ature. I think that meaningful xiang-tu literature pass on ben-tuliterature at the moment. A literature of history of xiang-tu literature is accomplish stepby step. Howdiscuss are the essential factor' the character of land writing, even political intent in an integrated xiang-tu literature system is focus in this article.

被引用紀錄


Chen, H. W. (2011). 歧異中同聲齊唱的想像共同體——以1970年代台灣鄉土美術批評意識研究為重點 [doctoral dissertation, National Taiwan Normal University]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315245603

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