葉夢得以禪喻詩的禪理感悟與詩學義蘊

The Understanding of Zen and Subtext of poetry from Ye Meng De's Using Zen to Criticize Poetry

鄭垣玲(Yuan-Ling Cheng)

《輔大中研所學刊》 15期 (2005/10) Pp. 241-258

https://doi.org/10.29444/JGICLDFJCU.200510.0010

摘要

《石林詩話》中最真典範的詩學論述就是以禪論詩，其援引雲門三旬的禪理感悟來品論杜詩，寓有豐富的詩學義蘊，而其表述也是宋代詩話中極富特色的方式。然就葉夢得所喻杜詩的「先後」，究竟是指三聯詩寫作時間上的先後不同?還是指杜詩造詣上的先後不同?本文且依葉夢得所論之序：「隨波逐浪句」、「截斷眾流旬」、「函蓋乾坤旬」來探究，並析論其雲門三旬的禪理感悟和杜詩的三聯詩語的審美內蘊及其詩學義涵。

關鍵字

葉夢得 ； 石林詩話 ； 以禪喻詩 ； 杜詩三語 ； 雲門三句

並列摘要

The most important poetry discussion in ＂Sih-Lin poetry criticism＂ is to use Zen to criticize poetry. It uses theory of Zen in ＂Yun Men three sentences＂ to discuss Tu Fu's poetry. This consists of plenty of poetry subtext. This kind of expression is also a very special method in the poetry criticism in Song dynasty. However, as for ＂sequence＂ in the Tu's poetry which Yen Men De discussed, does it mean the sequence difference in the time when these three sentences of poetry were written? Or does it mean the sequence difference in the thought of Tu's poetry? This paper is going to discuss deeply based on the sequence which Yen Men De discussed, as well as to analyze Zen in ＂Yun Men Three Sentences＂ and appreciation of the beauty plus poetry subtext in the three sentences of poetry in Tu's poetry.

並列關鍵字

Yen Men De ； ＂Sih Lin poetry criticism＂ ； use Zen to criticize poetry ； three sentences in Tu's poetry ； ＂Yun Men three sentences＂