論楚辭體句法對李白雜言體節奏及聲情的影響

Influences of syntax of Chu-Ci-style poetry on rhythms, voice and sentiment of Zayanshi of Li Bai

黃怡雯(Huang, Yi-Wen)

《輔大中研所學刊》 38期 (2018/04) Pp. 221-243

摘要

觀歷代李詩評語，多著力於詩歌風格上「排宕」、「奇」、「幻」的特徵，並認為其超脫常理之外。這些特徵雖多為其詩歌所共有，但若言及表現之極致，則非雜言莫屬。而在雜言詩中是否有一些內在的機理進而造成其具有如上特殊風貌和表現感覺？本文即擬從句式與節奏兩個方面進行討論，且將楚辭體句法作為主要分析對象，以究之對其雜言詩之影響。首先，李白通過句中節奏帶動詩歌節奏的流動，形成搖曳多變之樣貌。其次，為使具有歧出節奏的詩句把握平衡與不平衡之間的微妙關係，詩人以對偶、重章復沓之手法，從而使之疊加節奏，進而加強聯結。第三，在以楚辭式詩句穿插之時，其內容的含義實際與詩句的節奏相互吻合，由此形成一種聲貌俱佳的契合感。

關鍵字

李白 ； 雜言詩 ； 詩歌節奏

並列摘要

Throughout history, most comments on Li Bai's poetry focused on characteristics of his poetry style, such as its bold, unconstrained and magical features, and expressed that his poetry was beyond convention. However, the most significant characteristics of his poetry are its Zayanshi style. Are these characteristics of his poetry caused by the inner mechanism of Zayanshi? From perspectives of sentence patterns and rhythms, this paper discussed influences of syntax of Chu-Ci-style poetry on Zayanshi. First, Li Bai developed rhythms of poems to form a vivid and flexible style via rhythms in lines. Second, in order to adjust subtle relations between balance and imbalance of lines with inconsistent rhythms, the poet superimposed rhythms to strengthen connections through antithesis and repetition. Third, by inserting Chu-Ci-style lines into poems, contents and rhythms of lines are harmonious, forming agreement of voice and contents.

並列關鍵字

Li Bai ； Zayanshi ； rhythm of poetry