男體之中是台灣？－李昂男性同性戀文本中的國族論述

Taiwan in the Male Body?-the Discourse of Nation in Li Ang's Gay Male Characters

王珺瓅(WANG, JUN-LI)

《輔大中研所學刊》 39期 (2018/10) Pp. 213-230

摘要

李昂作品中的男性同性戀很難說是真實同志世界的複寫，而是透過性別、性向和傳統權力架構的三重折射，將作者本身的性別觀念、女性主義立場等投影在男性同性戀者的身體之上。本文以李昂〈禁色的愛〉、〈彩妝血祭〉、《迷園》和《花間迷情》中書寫的男性同性戀作為研究對象，以「國族論述」為切入點，將李昂的男性同性戀敘事視為對台灣歷史和前途的隱喻，關注男性同性戀的空間移動和抵抗姿態如何展現男性情慾和身體，暗示台灣的處境，再從「愛滋病」和「異裝癖」的「污名」視角分析男性同性戀與台灣歷史政治的系聯。而男性同性戀在李昂創作中的流變，一方面表現李昂同志書寫的突破，另一方面也揭示男性同性戀在文本中被「工具化」、失卻本體的困局。

關鍵字

李昂 ； 男性同性戀 ； 國族論述 ； 污名 ； 身體

並列摘要

It is difficult to argue that the gay men portrayed in Li Ang's works are representative of gay men in the real world; rather, they are constructions that reflect gender, sexual orientation, and conventional power structures, in which the author's thoughts on gender and feminism are projected onto the gay male body. This study analyzed the gay men portrayed in some of Li-Ang's works-Forbidden Love, Colorful Blood Sacrifice, Mysterious Garden, and Bewitching Love-and adopted the discourse of nation to examine Li Ang's narrative on gay men as metaphors for Taiwan's past and future. In addition, this study focused on how changes in the male gay space and forms of resistance are used to express the male desire and body, suggesting their inferences on Taiwan's situation. Furthermore, the stigma attached to AIDS and crossdressing was used to analyze the association between gay men and Taiwan's history and politics. While the evolution of the gay male characters in Li Ang's works showcases her breakthrough in gay writing, it also reveals the dilemma of male gay characters being instrumentalized and robbed of their subjectivity.

並列關鍵字

Li Ang ； gay men ； discourse of nation ； stigma ； body