零雨詩的身體書寫與封閉空間

Body Writing and Confined Space of Ling-Yü's Poetry

李蘋芬(LI, PING-FEN)

《輔大中研所學刊》 39期 (2018/10) Pp. 231-257

摘要

現今零雨詩研究有傾向「知性」、女性詩學與後現代之勢，本文則採取身體書寫與封閉空間二個面向，重新考察零雨的詩藝表現，並提出「身體－空間」的隱喻系統，在前行研究的基礎上，增益新的視角。零雨詩中的封閉空間，不只表現手法多元，象徵意義亦含括身體感與人類生存處境，並透過書寫「疼痛」經驗，確立身體為認知主體。她更透過詩的變形技術，使空間成為女性身體與記憶、時光煉造的家屋。上述特徵集中表現於零雨的前四本詩集，為本文主要分析對象。藉由「身體－空間」的詮釋視野，一能對其文本題材進行深掘與歸納，二能聯繫論者所謂「冷」的詩風，是如何以身體書寫為方法、素材，最終成為詩人主體與世界之間交涉的媒介。

關鍵字

零雨 ； 現代詩 ； 身體書寫 ； 空間書寫

並列摘要

As a modern poet, Ling-Yü is in a unique position in Taiwanese literary history. She is heavily emphasized for the hard and solid style of language and is well known for minimalist style; however, the inner element is how she feels and senses the world trough a penetrative body sense. This element influences her to create bizarre postures of body positions, presentations of body and exploration in body and space. The main idea of this study is to eliminate the influence of gender and focus on how she represents the worlds and her self-image. This project looks at the confined space and body elements in Ling-Yü's poetry. Examining the complicated link between body and space including boxes, dark rooms and besieged towns.

並列關鍵字

Ling-Yü ； body writing ； confined space ； modern poetry