La sensualité et son expression poétique dans les Folastries de Ronsard

洪沙的詩作《愛情》受佩脫拉克主義影響至深，然而他並沒有自限於模仿這個文藝復興時期廣為流傳的模範，其作品《嬉戲》可為最佳例證。本文主旨在於指出洪沙創作的演化，說明《嬉戲》此類型詩作的起源，並評論洪沙因書版《嬉戲》所引起的醜聞。隨後進行詩作的分析以說明洪沙對於官能之樂的新概念與表達方式，以發掘其較不為人知的創作面向與豐富性。

關鍵字

洪沙；文藝復興時期詩歌；官能之樂；愛情；嬉戲

並列摘要

Pierre de Ronsard owes his status of one of the greatest French writers to his most famous work, Amours, which was inspired by pertrarkism. However the love lyric of the master is not reduced to the model of writing, widely practised in Renaissance. In fact, a new orientation gives birth to the new collection of poetry called Folastries (1553). The current article offers to trace the Ronsard's evolutions. It also shows the main characteristic features of literary genre called folastrie. The article informs about the scandal in Ronsard's literary surroundings caused by the publication of Folastries. Finally, it concentrates on the texts of the collection: their analysis and numerous quotations are to reflect the new concept of Ronsard's sensuality and their literary form. The aim of this contribution is to present unknown aspect of Ronsard writings and prove how diverse they are.