《蘇南十番鑼鼓》中〈十八六四二〉之探討—楊蔭瀏記錄手稿台南藝術大學重排記實

楊蔭瀏先生曾於二十世紀三十年代前後，長時間與無錫民間藝人學習蘇南十番音樂，並將其所學詳細記錄，這些記錄內容大多已整理出版。2004年尾，音樂學者喬建中教授，將一份題有楊蔭瀏與曹安和合編的「鑼鼓譜」手稿帶到台灣，這份曲譜的原稿已被證實的確為楊先生之手跡。經與喬教授討論後，決定將原稿中〈十八六四二〉樂曲，依此手稿所錄重新排演，將紙本音樂還原成實際音響，並攝影記錄。本文共分為三個部分：第一部分介紹鑼鼓譜原稿，其內容包含卷頭語、引言、鑼鼓譜例言與〈十八六四二〉和〈翠鳳毛〉二曲的總譜；第二部分探討《蘇南十番鑼鼓》的名稱、源流、內容及演奏型態，並對其節奏特點加以分析；第三部分敘述重排及錄影〈十八六四二〉樂曲的過程。希望本文與這份影音資料，能對傳統音樂的發展有所助益。

關鍵字

蘇南十番鑼鼓；十八六四二；韻律性節拍，定量性節拍

並列摘要

Around 1930 in the twentieth century, Mr. Yin-Liu Yang spent a great amount of time studying Shih-Fan music of Su-Nan with Wu-Hsi folk musicians. He recorded what he learnt in details, most of the content has been arranged and published. In the end of 2004, Jian-Zhong Qiao, a Professor music scholar, brought the original names ”The score for the gong and the drum” to Taiwan. It was composed in collaboration with Yin-Liu Yang and An-ho Cao. The original was validated that it was hand-written by Mr. Yang. After a discussion with Professor Qiao, it had been decided that the original of 'Ten Eight Sixty Four Two' should be re-arranged into live performances, filmed and made into documentary. Expect for the above information, there are three sections: the first section introduces the original of the score for the gong and the drum. The content includes the preface, introductory remarks, the master score of 'Ten Eight Sixty Four Two' and 'The feather of Blue Phoenix'. Section Two discovered the names, texts, the performance pattern, the origin and the development of” Shih-Fan gong and drum of Su-Nan”. Moreover, in addition to the rhythm pattern was deliberatively analyzed. Performances afresh and the process of filming 'Ten Eight Sixty Four Two' were depicted in Section Three. It is hoped that the audio documentation may bestead the development of traditional music.