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台灣戒嚴時期政治對美術發展之影響—以「李再鈐事件」為例

The Development Impact of Politics on Fine Art during Taiwan's Martial Law Era-An example of LEE, ZAI-QIAN Incident

摘要


「藝術歸藝術,政治歸政治」一直為人所標舉,但證諸古今中外歷史,政治與藝術卻常是密切結合,綜觀台灣現代美術史,吾人發現其發展無法大開大闔,與政治因素有關,本文以喧騰一時的「李再鈐事件」,探討台灣政治與藝術之間的微妙關係。政治與藝術間的親密關係中外皆然,政治力之介入,端視民主程度而異,似乎是不可否認的結論。

關鍵字

台灣 政治 戒嚴 美術 李再鈐

並列摘要


”Art owned by art, politics is politics” have always been touted, but from various ancient and modern history, politics and art are often closely linked. An overview of Taiwan's modern art history, we found that the political factors had significant impacts on the development of art. This paper intended to explore the relationship between Taiwan's politics and art through the example of LEE,ZAI-QIAN incident.It seems undeniable conclusion that politics and art of the intimate relationship between the Chinese and foreign alike, the political power of the intervention, depending on the degree of democracy varies.

並列關鍵字

Taiwan Politic Martial Fine arts Lee,Zai-Qian

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