論〈離騷〉之悲劇快感

Explication on the Tragedy Pleasure of "Li-sao"

陳逸根(I-Ken Chen)

《東方人文學誌》 7卷1期 (2008/03) Pp. 21-40

https://doi.org/10.6389/OH.200803.0021

摘要

悲劇快感是一種審美快感，根據亞里斯多德的定義，其主要的情感要素是憐憫與恐懼，而〈離騷〉正可引發讀者這種審美感受：當讀者看到〈離騷〉的主人公，由於現實的苦難而飽受心理煎熬之時，會憐憫其遭遇，此種憐憫之情兼有同情與惋惜感。而由於擔心自己會遭遇類似的苦難，讀者同時也感到恐懼；但這種恐懼，隨著〈離騷〉的主人公展現出與命運奮戰不懈的英雄氣魄，又轉變為驚奇與崇敬之情，原本由於恐懼而暫時受到阻礙的生命力，頓時噴湧而出，而產生了崇高的感受。

關鍵字

楚辭 ； 離騷 ； 屈原 ； 悲劇快感 ； 憐憫 ； 恐懼 ； 崇高感

並列摘要

Tragedy mixed with pleasure is part of aesthetic quality. According to Aristotle's definition, the element of tragedy mainly involves the feeling of fear and compassion. People who have read ”Li-sao” can trigger such aesthetic ideas. Suffering and torment in reality, readers intend to feel sorry and sympatric for the protagonist. People who experienced hardship in reality often caused fear. This turns into surprise and reverence when they realize that the protagonist shows his heroic spirit in the story and fights against the twist of fate. Suddenly, people are inspired and tenacity, a noble personal quality, is also revealed.

並列關鍵字

Chu-ci ； Li-sao ； Qu Yuan ； Aristotle ； tragedy pleasure ； compassion ； fear