從〈水龍吟〉探蘇、辛倚聲填詞之異同

Discussion of Similarities and Differences in Su Shih and Hsin Chi Chi' Ci by "Shui Lung Yin"

薛乃文(Nai-Wen Hsueh)

《東方人文學誌》 7卷4期 (2008/12) Pp. 201-224

https://doi.org/10.6389/OH.200812.0201

摘要

詞乃倚聲而填，因聲以擇調，因調以配律，聲辭必須相契，故字有定數，句有定式，平仄有定律。蘇軾、辛棄疾〈水龍吟〉，打破傳統的音樂藩籬，不限於同一體例，往往依其橫放傑出之性、豪曠不羈之語填詞，在正體之外，別開天地，自是曲子中縛不住者；而此絕非詞家不懂音律，實乃性情所至。〈水龍吟〉之內容題材豐富多元，蘇、辛二家跳脫詞乃豔科之窠臼，或寫景詠物、或抒情言志，均將個人生命融入詞中，足見蘇軾清雄之姿，與辛棄疾豪放之態。

關鍵字

水龍吟 ； 蘇軾 ； 辛棄疾 ； 倚聲填詞

並列摘要

Ci, a kind of Chinese poetry which format is strict, is composed of intonation. The poets choose its Ci-Pai by the intonation, and choose its rhyme by the intonation. Its intonation and phrases must be assorted with each other. This condition must be strictly obeyed. The number of words in Ci is constant, the sentence types in Ci are constant, and the cadences in Ci are constant. Su Shih and Hsin Chi Chis' break traditional music barrier in ”Shui Lung Yin”. Their works are not limited in one form. They usually write Ci with outstanding individual characteristics and unconstrained languages. Their works can break a basic form. Their works are entirely new creations. Their works aren't restricted to the original cadences. Actually, they are not the poets who have no notion of the cadences in Ci, their works are affected by their temperaments. The contents and topics of Su Shih and Hsin Chi Chis' works in ”Shui Lung Yin” are abundant. The two poets can break the old rut of gorgeous forms, no matter writing views, singing things, expressing emotions and life ambitions, and integrate personal lives into their works in Ci. We will know, Su Shih's posture is so outstanding, and Hsin Chi Chis' posture is so bold and unconstrained.

並列關鍵字

Shui Lung Yin ； Su Shih ； Hsin Chi Chi ； Song Ci