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柳永《樂章集》女性形象的修辭藝術

The Rhetoric of the Female Image in Liu Yong's Yue Zhang Ci

摘要


柳永困於場屋、滯留汴京多年,又無正當職業,只好「奉旨填詞」,在作曲填詞中討生活。葉夢得《避暑錄話》說:「永為舉子時,多遊狹邪,善為歌辭。教坊樂工,每得新腔,必求永為辭,始行于世,于是聲傳一時。」(卷下)、羅燁《醉翁談錄》說:「耆卿居京華,暇日遍遊妓館。所至,妓者愛其有詞名,能移宮換羽,一經品題,聲價十倍。妓者多以金物資給之。」(丙集卷二)。柳永正是以其風流才情,來贏得無數青樓歌妓之青睞的,他筆下的人物多采多姿、才貌雙全。《樂章集》中的女性意象特多,她們的香閨色彩繽紛、她們的妝扮華麗嫵媚、她們的音容笑貌,個個婉轉靈動……。此外,歷史上的美女、未署名的歌妓,更是不可勝數……。 本文試圖經由《樂章集》中所呈現出的女性形象,透過當時的社會、文化概況以及柳永的審美心理、探討婉約詞風和女性意象的關係。

關鍵字

柳永 樂章集 意象

並列摘要


The relationships among the choices among the images, the constructions of the concepts and the styles of the words are closely connected The concepts of the good words (ci) are characteristic and individual The writers express their unique viewpoints about the observations, their particular feelings and characters by means of the choices of images The words (ci) that construct the concepts and images have their characteristic features and express writers’ personal styles Whether a writer has his own unique styles depends on the degrees to which he constructs his own images Therefore, this study will investigate the images of Liuyong's words (ci) that are often used in his works and the unique styles of his images. The characteristics of the images of Liuyong's works, which are colorful, contrasty, filled with female images, were also investigated. His works showed different beauties, the beauty of nature, the beauty of delicacy, and the beauty of sorrow. All the beauties intertwined graceful but also popular style of his works that showed the joy, anger, sorrow, likes, dislikes, love and desires in his life.

並列關鍵字

Liuyong Yuezongji image

參考文獻


﹝梁﹞蕭統編(1974)。文選。臺北:藝文印書館。
朱恆夫注譯耿湘沅校閱(1998)。花間集。臺北:三民書局。
﹝唐﹞韓愈、高步瀛選注(1975)。唐宋文擧要。臺北:學海出版社。
﹝宋﹞柳永著(光緒二十七年辛丑)。《樂章集》吳重熹刊刻石蓮庵刊《山左人詞》入第一種第一冊 1901 年。(光緒二十七年辛丑刊於金陵 )
朱祖謀編(1970)。彊村叢書。世界。

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