論姚合對郡齋詩系譜之承繼與創變－以〈武功縣中作三十首〉為核心

本文以姚合〈武功縣中作三十首〉為探討對象，有別於前人從詩歌內容或縣級僚佐身分分析此組詩於詩歌史上的意義，本文將此組詩置放於唐代郡齋詩之系譜下探討該組詩之意義。討論程序分為三部分：首先，釐清唐代郡齋詩之定義、內涵與代表性作者，以作為將〈武功縣中作三十首〉納入郡齋詩系譜下論述之基礎。其次，指出〈武功縣中作三十首〉的倦宦之情、「吏隱」意識、造景賞園活動，實承繼自韋應物、白居易在郡齋詩中已開闢出之主題，證明該組詩當納入郡齋詩之系譜中。最後，指出該組詩的吏隱意識則由「閑適」轉為「閑寥」、園景賞玩上則突顯化平凡為尖新之「詩景」，顯示姚合既能對前輩大家的郡齋詩所開闢出之主題傳統有所體察，又能變創出屬於其個人美學風格的縣齋詩。

關鍵字

姚合；武功縣中作三十首；郡齋詩；韋應物；「吏隱」主題

並列摘要

This article investigates Yao He's ＂Thirty Poems Written in Wugong County＂ by discussing the meaning of this group of poems in the context of the pedigree of local-government poetry in the Tang dynasty. This differs from previous scholars' approach of analyzing their significance in poetry history from the perspective of the poem content or Yao's identity as county magistrate. The discussion process of this article is divided into three parts: First, it clarifies the definition, the content, and the representative authors of local-government poetry and takes them as the foundation of discussing ＂The Thirty Poems＂ in the pedigree of local-government poetry. Second, it finds support for the argument that this group of poems should be included in the pedigree of local-government poetry. The supportive idea is that Yao's tiredness about his official career, awareness of ＂officer recluse,＂ and landscaping and garden visiting activities actually succeed the themes that Wei Ying-Wu and Bai Ju-Yi have created for local-government poetry. Finally, it indicates that these poems, in terms of his awareness of officer recluse, change from ＂leisurely comfortableness＂ to ＂leisurely loneliness＂; and in terms of his appreciation of the garden scenery, emphasize the ＂poem scenery＂ that turns ordinariness into innovation. This demonstrates that Yao not only examines the traditions of themes that his predecessors have established in their local-government poems but creates the county-government poetry that features his personal aesthetic style.