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以十二服章紋應用於旗袍設計之研究

Study on Chinese Official Pattern Applied to Cheongsam Design

摘要


在歷代所傅承之「服装制度」中,不論外在色彩、圖案舆服式,除了顯示出所蘊涵的中國文化之外,更能表達其傅统意羲。提及中國傅统服飾,大多数的人都合联想到「旗袍」或「唐装」。旗袍為中國女性最具代表傅统的服饰,但其外在式樣较為成熟端莊,使穿著旗袍的年龄層受限。因此,本研究以十二服章紋外形「符號具」及内涵「符號義」作為創作元素之依據,将旗袍所呈现的貼身、强调女性體態及曲線美的成熟感,轉换爲剪裁合身,裙擺以寬鬆、堆疊的層次感設計。除了傅達中國傅统圖腾的美感之外,亦能使旗袍式樣更為年輕化,展现出旗袍的傅统舆现代兼具的優雅。

關鍵字

十二服章紋 服裝制度 旗袍 符號

並列摘要


Inherits it in all previous dynasties ”attire institution”, In spite of external color, pattern and the style, In addition to displaying the Chinese culture, It even express traditional meaning. Mentioning the persons of Chinese traditional dress majority will associate ”cheongsam” or ”Chinese style costume”. Cheongsam has representative traditional dress most for the Chinese women, but it external style is more mature and dignified, making the age range of cheongsam to a limit. This research with the Chinese official pattern shape ”signifier” and the internality ”signified” as the basis of creating element intension, The cheongsam is to present and emphasize women figures and the mature feeling of the beautiful curve, and convert into tailor to fit the body, skirt wave with the layer feeling which loosen of pile design. In addition to transmitting the esthetic impression of Chinese traditional totem, also make the style of cheongsam more younger, Show tradition and modern of cheongsam gracefulness.

參考文獻


王宇清(1994)。中國服裝史綱。臺北市:國立歷史博物館,南天書局。
王宇清(2001)。周禮六冕考辨。台北:中華民族藝術文教基金會。
沈從文(1988)。中國古代服飾研究。臺北市:南天書局。
周汛、高泰明(1998)。中國傳統服飾形制史。臺北市:南天書局。
粘碧華(2003)。刺繡針法百種。雄獅圖書。

被引用紀錄


洪子婷(2009)。中華紋飾圖像壁貼於室內設計中之應用〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315165920

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