中華紋飾圖像壁貼於室內設計中之應用

A Study of Chinese Pattern Wall Stickers Application in Interior Design

洪子婷

指導教授 ： 梁桂嘉老師

國立臺灣師範大學/藝術學院/設計研究所/碩士(2009年)

摘要

摘要

圖像壁貼從 2003出現至今約六年，從尚未成熟的商品發展至今趨於成熟，不論在視覺性、即時性、方便性、經濟性都展露一番新局面。其材質與色相的應用因應不同設計師的需求顏色也有多元的呈現。讓消費者加入設計的一環，其多變性使得購買者有無限的空間得以重新詮釋，相異的排列組合將造成不同的構圖美感，透過此媒材進行紋飾的創作，以中華傳統紋飾為創作依據，將圖像壁貼的視覺特性發展到極致。
本創作研究首先透過文獻分析的方式，探討中華傳統紋飾的起源與發展、傳統紋飾的象徵意義以及中西方對於圖像的觀念，從中華紋飾設計風格─動物紋、植物紋、文字紋、物紋中，抽取植物紋為主要創作元素，進行紋飾再造與創新，進一步嘗試紋飾於空間中展現的可能，深入探討空間與傳統紋飾壁貼之間的相互關係，以壁貼的起源與發展做為創作依據，將植物紋飾巧妙的多方運用於家居之中，與人的居住空間產生互動關係，從後現代的角度再次詮釋傳統紋飾。
應用兩千年傳統的中華紋飾發展此商品，由於中華文化一直都居華人走入國際設計舞台嶄露頭角的一個重要媒介元素，透過將故有文化的重新詮釋與應用，匯入新時代的角度與觀點，將舊有的經典賦予新生命，並以圖像壁貼為展現的媒介，讓傳統紋飾有另一個展示的平台，並藉由傳統紋飾應用於室內設計中之壁貼與現代簡約的傢俱傢飾相搭配創造傳統文化的再創新。

關鍵字

圖像壁貼 ； 中華傳統紋飾 ； 植物紋飾

並列摘要

Abstract

Wallsticker has appeared since 2003 and gradually developed into a near mature product. It reveals some brand new perspectives in visualization, instantaneity, convenience and economy. Its material selection and hue application have diversified according to designer’s needs. Enabling the consumers get involved in the design allows unlimited ways of presentation due to its versatility, and various combinations make different esthetic compositions. Based on the Chinese traditional patterns to make wallsticker pattern design develops into the ultimate visual effects.

Through analyzing the existing related research documents first, this research discusses the origin and development of the Chinese traditional patterns, the meaning that the traditional patterns symbolized, and the perception of images from eastern and western prospective. The style of Chinese traditional patterns includes animals, plants, words, and objects. By specifically extracting the key element of the plant patterns, rebuild and innovate new patterns and further explore the possibility to apply to the spatial design. Discuss the correlation between the traditional pattern wallsticker and space in depth; base on the origin and development of wallsticker to delicately apply plant patterns into the home interior and interact with the living space. From the post-modernism perspective to reinterpret the traditional patterns.

To develop this product by applying the two-thousand-year traditional Chinese patterns. The elements of Chinese culture have long been an important medium for Chinese artists to join and rise on the worldwide design stage. Through the reinterpretation and application of the existing culture and infuse into the perspectives of the modern era to give a new life to the classic tradition. The graphic wallsticker is the new representation of the traditional patterns. By means of applying the traditional patterns into the wallsticker of interior design and matching the modern simplicity design of furniture and decoration to rejuvenate this part of the Chinese traditional culture.

參考文獻

江韶瑩(2003)。大吉祥文物圖解。

楊德文(2007)。陰陽意象與思維在繪畫創作之研究。

陳麗舟(2008)。以十二服章紋應用於旗袍設計之研究。

韓容 (2008)。具裝飾紋樣中的象徵語言。

張謙允，王琮惠(2007)。設計學研究消費者客廳空間知覺圖及偏好理想點。