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指甲彩繪圖案設計與構成形式分析

Pattern Design and Formation Analysis of Nail Painting

摘要


指甲彩繪的發展隨著社會經濟與文化的進步,由簡易指甲保養耀升為“藝術美甲”,指甲修飾不僅為了保養功能,更應融入下列要素,一是具備設計感,講求指甲採繪圖案與構成要有系統性。二、是具備時尚感,講求新材質新款式不落俗套。三、是具備藝術美成,講求指甲彩繪也要符合共同美成的經驗法則。所以,二十一世紀的指甲彩繪應該是集保養、時尚、美學、設計於其中的一種應用藝術的新形態。 本研究探討的主要目的有三:一、探究指甲彩繪發展之歷程。二、從指甲彩繪圖案設計的角度談指甲彩繪的設計取材以及圖案設計。三、從指甲彩繪圖案的構成形式,討論以方向性、線形性、形狀性、結構性等四個要素所形成之圖案形式。

並列摘要


Nail painting develops with the progress of social culture and economy. It evolutes from simple nail maintenance to the art of nail painting. The nail painting is not just the maintenance of nail or decoration, it must include three elements: (1) the pattern and structure of nail painting must be designed. (2) New style and source material must be found and be fashionable. (3) It is an art. The nail painting of2I century is a new type of art. It includes ”maintenance, fashion, beauty, and design”. This thesis investigates three topical subjects; (1) the development of nail painting (2) discussing the source material and pattern design of nail painting from the viewpoint of design, (3) studying the orientation, line variation, form, and Structure of the formation of the nail painting pattern.

參考文獻


Elisabetta ''Kuky'' Drudi,Pepin van Roojen(2008).Art Nouveau.Singapore:Pepin press.
Elisabetta ''Kuky'' Drudi,Pepin van Roojen(2008).Fashion Prints.Singapore:Pepin press.
Anvil Graphic design, Inc.(2005).Pattern + Palette圖案配色指南.台北市:龍溪國際圖書有現公司.
南雲治家(2006)。色彩配色圖表4【Web篇】。台北市:龍溪國際圖書有現公司。
桑德拉L.拉甘(1997)。室內色彩設計商業分冊。台北市:淑馨出版社。

被引用紀錄


向 翊 欣(2011)。中國傳統圖騰應用於時尚彩繪設計研究 -以人體彩繪為中心-〔碩士論文,台南應用科技大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0098-0402201311303300

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