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從詩詞看宋代何遜形象的建立過程

The Building Process of He Xun's Image in the Song Dynasty from Poetry

摘要


南朝詩人何遜在後代擁有愛梅、風流、早慧、青年才俊等等使後人或心折、或惋惜的形象,堪稱古典詩歌中一個耀眼的偶像明星。此情形在唐代已現端倪,到了宋代,又接著把何遜各種形象更加清楚地展現出來,他的地位(人氣)也逐漸看漲,成為宋人詩歌中提到梅花、揚州等主題時常見的代言人。細究何遜這些形象之由來,原來並非完全符合何遜本身事實,而是在唐宋兩代不斷的偶像標舉、文學傳播過程裡發展出來的。本文粗淺地爬梳何遜在唐宋詩詞裡諸般形象建立發展之過程,並探究其原因。

關鍵字

何遜 形象 揚州

並列摘要


He Xun, a poet in Southern Dynasties, has a plum-loving, romantic, precocious, young, talented and so on imagies to future generations. He is nearly a dazzling pop star in the classical poetry. This situation has gradually taken shape in the Tang Dynasty. When it was Song Dynasty, more and more types of image of He Xun went to show more clearly .His position (popular) gradually bullish. When poets who in Song Dynasty mention about plum, Yangzhou, he is the most popular spokesperson. But in fact, the original image of He Xun is not conforming with all these types in latter days. In the Tang and Song dynasties, continued idol standard developed by the process of literary communication for He Xun, made different imagies of his. This article investigates the prosess of how He Xun's images changed in Tang and Song poetry briefly, and then discuss the reason why it happened.

並列關鍵字

He Xun plum image Yangzhou

參考文獻


程章燦(1995)。何遜《詠早梅》詩考論。文學遺產。1995(05),47-53。
劉石(2005)。「東閣官梅動詩興,還如何遜在揚州」史實考索。江海學刊。2005(06),160-163。
程杰(2008)。揚州梅花名勝考。鹽城師範學院學報(人文社會科學版)。28(2),52-59。
清馮浩注(1979)。玉谿生詩詳註。臺北市:華正書局。
北京大學古文獻研究所編(1998)。全宋詩。北京:北京大學出版社。

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