- 期刊
心學與美學的融合－宗白華“境界形上學”的藝術美學觀
The Combination of Philosophy of Mind and Aesthetics: The Art Aesthetics of the "Metaphysics in the Line of Vision" of Zong Baihua
並列摘要
Chinese aesthetics grasps the rhythm of universal life by silent observation, and then concretizes it. It also symbolizes the natural law with a sensible image, and carries out the art value of ”entering the true nature from beauty.” The essence of Chinese aesthetics is ”the deepest soul of art,” which is the so-called ”subjective conditions of aesthetics” suggested by Zong Baihua. Zong's theory also refers to the psychological process of realizing and grasping the ”natural law” of the final goal.
參考文獻
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延伸閱讀
- 朱志學（1996）。「道藝一體」藝術觀之形上學基礎。問學集，(6)，119-140。https://doi.org/10.29450/wenxueji.199612.0007
- 余季音（2016）。析論美感經驗及其與自我之深層互動。藝術教育研究，(32)，103-132。https://doi.org/10.6622/RAE.2016.32.04
- 餘群（2019）。論牟宗三「化境」說的美學內涵。哲學與文化，46(9)，69-81。https://www.airitilibrary.com/Article/Detail?DocID=10158383-201909-201910010011-201910010011-69-81
- 耿開君（2001）。The Reconstruction of Traditional Philosophical Metaphysical Logic by Chinese Scholasticism - Generative Doctrine and Cause of Individual Being of Guang Luo's Philossophy of Life。哲學與文化，28(2)，161-175。https://doi.org/10.7065/MRPC.200102.0161
- 陳祺助（2010）。An Onto-cosmological Illustration to the Theory of "the Distinction between the Nature of Human Beings and Whole Creations'"-A Discussion to Mou Tsung-San's Interpretation about the Theory of Ming-Tao。當代儒學研究，(8)，143-173。https://doi.org/10.29906/IMR.201006.0007