近年來生活型態理論已廣乏運用在行銷學、教育學以及社會學的領域裡,至今已成為重要的市場區隔工具,本篇研究乃採AIO生活型態理論基礎,探討大高雄都會區表演藝術觀眾生活型態族群在藝術表演所呈現的大眾消費影像,一方面提供後續研究之實證資料,並為業界經營之參考,問卷採親自到表演藝術活動現場發放方式進行,對該場觀眾進行抽樣發放問卷,有效問卷共有488份,以主成份分析析法(Principal Components Analysis)將相關性較高的幾個變數集結成因素,結果共萃取出「求知藝文」等18個生活型態構面,然後再以此18個生活型態構面區隔出4個不同類型的觀眾群,分別為「頂客時尚族」、「天倫生活族」、「購屋潛力族」及「樸質居家族」,並檢定出各區隔的觀眾群在人口變項與參觀類型上具有顯著的差異。
In the recent years the living style theory is widely used on marketing, education and society fields, and now has become the main tool of market differentiation. This research is based on the AIO living style theory, exploring the phenomenon of general consuming on watching art shows in Kaohsiung city, which is to provide further research information and also as a reference for business running. The survey was taken place at the actual exhibition and there are 488 valid filled out survey papers. With the Principal Components Analysis as a factor, there are 18 groups extracted in the end with 4 different audience groups, which are ”DINC (double-income-no-children) Vogue Group”, ”Household Living Group”, ”House-Purchasing Potential Group” and ”Plain Household Group”. It is found that there are obvious differences in the visiting behavior of different and popularity types.