透過您的圖書館登入
IP:3.133.144.197
  • 期刊

易經圖騰與文創品物設計之會通研究

A Comprehensive Study on I-Ching Totems and the Design of Cultural-Creative Articals

摘要


易經文化起自於圖騰。易經最早的文化就是圖騰文化. 最早的易經圖騰是陽「-」與陰「- -」及八卦乾「□」、坤「□」、震「□」、艮「□」、離「□」、坎「□」、澤「□」、巽「□」。陽陰及八卦的圖騰皆由太古時代伏羲氏所創作。易經圖騰從陰陽爻圖、八卦幹卦圖開始。後來逐漸發展出六十四卦圖、無極圖□、太極兩儀圖□、河圖、洛書圖、及後世歷代易學家所創作各種圖騰等。所有易經圖騰皆可作為文創品物設計的基本藍圖,且對世人之生活品物設計與創作具有實質性與價值性的幫助。

並列摘要


I-Ching culture originated from totems. The earliest culture of I-Ching is the totem culture. The earliest totems of I-Ching are Yang "-" and Ying "- -", and Eight Diagrams such as Chien "□", Kun "□", Chen "□", Ken "□", Li "□", Kan "□", Ze "□" and Shun "□". The totems of Ying, Yang and Eight Diagrams are created by the Sage King Fu-Xi in the very ancient time. The I-Ching totems begin with the totems of Yin and Yang, and the capital Eight Diagrams. Afterwards, I-Ching totems gradually were developed with the totems of 64 diagrams, the totem of Wu-Chi □, the totem of Ta-Chi Two Meters □, the River Totem, the Lou-Shu Totem, and all kinds of totems created by the I-Ching scholars of later ages. All I-Ching totems can be used as the basic patterns of cultural-creative designs, and also are really and valuably helpful for the designs and creation of life articles.

參考文獻


王充,<< 論衡>>、<正說篇>
孔安國,<<尚書、洪範傳>>
行政院文建會()。
<<周易>>
俞龍通(2008)。文化創意。台北市:師大書苑。

延伸閱讀