Brahms's Violin Sonatas and a Thematic Analysis of the Final Movement of the "Regenlied Sonata"

布拉姆斯的三首小提琴奏鳴曲為室內樂作品中的瑰寶。本文將就二大主軸分別描述之：一、對布拉姆斯三首奏鳴曲與F. A. E. 奏鳴曲作歷史背景的深入研究，並針對其小提琴作品的音樂風格的轉變與發展提出個人的觀點與看法。除此之外，內文亦包含對作品的歷史背景之陳述與每一首奏鳴曲之概略性分析。過程中亦特別就樂中主題在樂章聞與其他作品的關連性提出佐證資料。二、在文中的後半段，作者選擇布拉姆斯第一號小提琴奏鳴曲的終樂章，分別根據其曲式結構、主題與動機與調性間的發展，提供詳盡的樂曲分析敘述。透過深入的作品分析與探討，使能一窺布拉姆斯成為一銜接古典與浪漫時期風格音樂家之卓越寫作技巧與細密思緒。

關鍵字

布拉姆斯；小提琴；奏鳴曲； F. A. E. 奏鳴曲；雨之奏鳴曲

並列摘要

The purpose of this paper attempts to provide a historical study that places Johannes Brahms' violin sonatas in stylistic perspective, including three sonatas for piano and violin and the Scherzo movement from ”F. A. E.” Sonata. The studies of historical background and brief analysis of each sonata are included. Furthermore, a thematic analysis of the final movement-Allegro molto moderato-of Brahms' Violin Sonata No. lin G Major, Op. 78, the notable ”Regenlied Sonata”, is provided. The analysis focuses on the formal division, thematic and motive relationships, and disposition and relationship of key centers. The discussion illustrates Brahms' unique compositional style that can be described as a synthesis of Romantic expression and Classical tradition.

並列關鍵字

Johannes Brahms ； violin sonata ； "F. A. E." Sonata ； Regenlied Sonata

國際替代計量

Brahms's Violin Sonatas and a Thematic Analysis of the Final Movement of the "Regenlied Sonata"

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