This article discusses Luo's Collection of Short Poems (1999) ”Blackness Embroidered with Gold”, and focuses on his writing strategy of metapoetry: a thematic argumentation about poetry in a form of poetry. By examining Luo's work, it is argued (I argue) that Luo, in this work, has been repeatedly deriving the dialogue process between internal thinking and reality, throughout means of extremingly contradicting self-evaluation, covert inter-communication with readers, and the claim of the destruction of outside world. His writing style makes this work of meta-poetry a novel meta-aesthetic work in that it shows qualities of boundarylessness and secludeness simultaneously.