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沈曾植書法風格研究

The Study of Shen chen-chi Calligraphy Style

摘要


乾嘉考據學風,帶動金石研究的風氣,碑學興起,經阮元、包世臣、康有爲的提倡,碑學成爲書壇主流,一時名家輩出,號稱書法的中興時代。其中沈曾植以治經史方法治書學。主張「碑帖結合」,開創新書風。尤值得玩味。 沈曾植在思想上融通儒玄道釋的美學思想,表現出折衷融合的現象。以章草爲主,用北碑方筆側鋒入行草,創造出「生、辣、古、拙」的新書風。沈曾植的書風,沙孟海評爲「開千古未有之奇境」,章士釗評爲「奇峭博麗」,康有爲評爲「高妙奇變,超軼蘇黃」曾熙評曰:「工處在拙,妙處在生,勝人處在不穩」。曾熙評語最能概括沈書風大部分特色,特以之作分析。 從用筆、結字、章法、用墨四方面去探討沈曾植書法藝術的特徵。以增進對沈曾植書風的認識。沈曾植書法的評價爲清代草書第一人,在書史上爲開創型人物,而其創造的根源來自淵博的學問、高度的自覺意識、不斷探索的精神,尤值得效法學習。

關鍵字

沈曾植 書風 碑帖結合

並列摘要


During the period of Chaing-lung (乾隆) And Chia-Chin (嘉慶), archeology was thriving, which brought carving works on gravestone to life. Numerous artists on his part arose. They were known as Resonance of Chinese calligraphy. Among them, Zengzhi Shen (沈曾植) highlighted the combination of gravestone and traditional calligraphy, initiating a new clligraphy style trend. Zengzhi Shen combined aesthetic ideology of Confucianism and Metaphysics with his ideology, performing a compromised fusion phenomenon. Focusing on Zhang cursive, he wrote cursive by using side of north tablet square pen, creating a new form of calligraphy ”lives, spicy, ancient, simple”. Menghai Sha commented Shen's calligraphy style ”opening a wonderland which ancestor never had”. Shizao Zhang commented it ”odd, steep, plentiful, and beautiful”. Youwei Kang commented it ”miraculous, changeful, and Shen overtook Su Huang”. Xiping Zeng commented ”Shen specialized in simple, developing wonderful places, winning others by tilts”. Shizhao Zhang's judgment was the one to summarize most features of Shen's calligraphy style, especially using them to analyze. By discussing Shen's features of calligraphy from pen-using, word-using, rule-using, and ink-using, we can enforce our grasp of Shen's calligraphy style. Shen's calligraphy is considered the first place in Qing Dynasty and is the foundation character of calligraphy history. The origin of Shen's creativity was from his wide knowledge, high self awareness, and his spirit to keep exploring, which were worthy of people's admiration.

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