李漁《連城璧》之戲謔筆法初探

Li Yu, ＂Lian Cheng Bi＂ Technique of Teasing Writing

陳世昀(Shih-Yun Chen)

《臺中教育大學學報：人文藝術類》 30卷2期 (2016/12) Pp. 65-85

摘要

明清之際，李漁是位極具個人風格的文人，既不在異朝當官；亦非隱居山林的高士山人，而選擇身兼士商，賣文導演為生。由於李漁謀生方式，一是依靠權貴接濟，一是售賣小說戲曲，因而極端重視，如何引起讀者共鳴，增加其欣賞興趣。而李漁奇特之處，有一大部分是依靠文字來表現，故本文試以譬喻、引用、曲解、倒反、映襯幾部分，討論李漁《連城璧》所呈現的戲謔的筆法。

關鍵字

李漁 ； 戲謔 ； 連城璧

並列摘要

In the Late-Ming and Early-Ch'ing Period, Li Yu is a writer,who neither works as an official nor lives in a rural area.He Identity is a scholar and businessman, Selling articles and acting for a living.Because Li Yu makes a living by depending upon the powerful official to give financial aid, and by selling the novel drama, he emphasizes his special characteristic is described throughout the word.Therefore, this article tries to analogy, reference, quote from and misinterpret satirize, inverted, against the background of several parts,discussion Li Yu ＂Lian Cheng Bi ＂ presented by the joking of the brushwork.

並列關鍵字

Li Yu ； Lian Cheng Bi ； Teasing

參考文獻

漢許慎、清段玉裁注(2007)。說文解字注。杭州:浙江古籍出版社。

梁劉勰、王更生注譯(1985)。文心雕龍讀本。臺北:文史哲出版社。

明張翰(1997)。松窗夢語。北京:中華書局。

明呂坤(1992)。呻吟語。臺北:志一出版社。

明張岱(2004)。陶庵夢憶．西湖夢尋。臺北:頂淵文化出版社。