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紀實與虛構:吳濁流、鍾理和的中國之旅與原鄉認同

Record of Facts and a Fictitious Story: Trips to China and the Identity of Hometown of Wu, Cho-liu and Chung, Li-ho

摘要


本文擬將吳濁流、鍾理和的文本置入其所經歷的社會、政治、文化與歷史的脈絡之中,檢視吳、鍾二人作品中的中國書寫-如何呈現日本對臺殖民末期,同時也是中日交戰狀況下的中國背景;如何透過紀實與虛構的書寫去想像中國、經驗中國與再現中國;並釐清「剪不斷理還亂」的原鄉情懷,如何相應於吳濁流、鍾理和的人生開展與中國經驗,進而產生轉折與變化。最後,將以殖民地知識分子的原鄉書寫與認同危機為切入點,從後殖民觀點出發,透過後殖民理論與行動的先驅-弗朗茲.法農(Frantz Fanon, 1925-1961)的論述,應證被殖民經驗對於吳濁流、鍾理和等殖民地臺灣作家的心理與文本所造成的深層影響,同情並理解殖民地文學的侷限,進而從中獲得在後殖民時代臺灣如何去殖民化,並建構國族主體性的啟發。

並列摘要


In this article, the texts of Wu, Cho-liu and Chung, Li-ho are arranged into the society, the politics, the culture, and the context of history at their time to exam the Chinese writing in their works-how to present the conditions of Mainland China during the late period of Taiwan under the rule of Japan, being at the time when wars between China and Japan occurred; how to imagine China, experience China, and represent China by record of facts and a fictitious story and to clear the complicated nostalgia, and how to response to their life developments and China experiences, which have turning points and changes further. At the end, the cut-in points are nostalgia and identity crisis of the Intellects in the colony and by the discourse of the master and advent of Post-colonialism, Frantz Fanon (1925-1961), to prove that the authors, such as Wu, Cho-liu and Chung, Li-ho, the colonized Taiwanese authors, were influenced deeply by the colonized experience in their psychology and textures. Sympathizing and understanding the limits of colonized literature, people on Taiwan can know how to decolonize in the post-colonial period, and construct the inspiration from the subjectivity of nation-state.

參考文獻


吳濁流(1980)。吳濁流作品集4:南京雜感。台北:遠行出版社。
吳濁流(1995)。亞細亞的孤兒。台北:前衛出版社。
吳濁流(1995)。台灣連翹。台北:前衛出版社。
吳濁流(1995)。無花果。台北:前衛出版社。
魯迅著、楊澤編(1994)。魯迅小說集。台北:洪範書店。

被引用紀錄


尤俞評(2010)。超越啟蒙者與原鄉人的新視野:鍾理和《笠山農場》的人物形象研究〔碩士論文,國立清華大學〕。華藝線上圖書館。https://doi.org/10.6843/NTHU.2010.00556
羅致遠(2011)。在變與不變之間:客籍作家吳濁流的國族認同〔碩士論文,國立交通大學〕。華藝線上圖書館。https://doi.org/10.6842/NCTU.2011.01079
羅詩雲(2019)。擬聲政治:論戰後初期《新臺灣》雜誌的女性修辭淡江中文學報(41),215-242。https://doi.org/10.6187/tkujcl.201912_(41).0007
蕭牧宇(2012)。吳濁流小說中的殖民地經驗-文學社會學的觀點〔碩士論文,元智大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0009-2801201415012006
謝佩玲(2015)。鍾理和「原鄉人」研究〔碩士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-0412201512065407

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