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  • 期刊

日治時代台灣流行歌謠所呈現出的「台灣意識」

「Taiwanese consciousness」displayed on Taiwanese pop music during under Japanese rule

摘要


日治時代正是台灣由傳統農業社會邁入近代工商資本社會的一個轉捩點,政治方面有來自殖民政府的壓迫與不平等待遇,台灣歌謠以其民間慣用的語言記憶歷史發展的事實,而其間潛藏的台灣意識,即是音樂文本的呈現,亦反映社會的變遷,一般庻民的的生活即不同族群或社群社會位置的真實。透過本文,台灣歌謠中承載日治時期台灣意識的歌曲,歌曲中所呈顯的面貌轉變及其內涵與風格的變遷與發展。

並列摘要


The Japanese colonial period in Taiwan was the turning point for the traditional agricultural economy of Taiwan that developed into industry and commercial capitalism. For the policy side, there were much pressure and discrimination under the colonial government. During the colonial government period, Taiwanese Folk song used the civil language to record the truth and history for Taiwanese people; however,「Taiwanese consciousness」was the way to displayed the version of the music as well as reflection the society changes, the daily life of citizen, different population and the reality of the community at that moment. By this article, you will get into know the「Taiwanese consciousness」showing on Taiwanese Folk Song which were described and memorized the changed of the life, culture, the style of the songs and the improvement of Taiwan.

參考文獻


方漵溱(2000)。日據時代台語創作歌曲之研究 1932~1939。國立成功大學藝術研究所未出版之碩士論文,台南市。
王一剛(1960)。台灣同化會的始末。政治建設,第 2 期。
王美珠(2001)。音樂、文化、人生。台北:美樂出版社。
江宜樺(1998)。自由主義,民族主義與國家認同。台北:楊智文化公司。
杜文靖(1993)。大家來唱台灣歌。台北:台北縣立文化中心。

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