閩南語吟詩之句末吟式探析

The discussion about the end of sentence recitation style of Southern Min

陳茂仁(Chen, Mao-Jen)

《人文研究期刊》 13期 (2016/12) Pp. 63-93

摘要

古典詩歌為最具音樂性之文學體裁，其中尤以近體詩為然。而吟詩為體會詩作意境及音樂美之最佳方式。我國文字有平、上、去、入四個聲調，不同之吟唱方式便使詩歌產生不同之風貌，而其中又以句末之吟法最為複雜多變。前輩學者並未就此做過相關研究，今筆者即以前賢及個人吟詩之經驗，試析詩歌句末之吟式，尚祈博雅大家，有以教之。

關鍵字

句末 ； 四聲 ； 吟式 ； 吟詩 ； 閩南語

並列摘要

Classical poetry is the literature genre that contains most musicality. Also, recitation is the best way to experience poetry conception and rhythm beauty. There are four tones in Chinese. Different recitation styles lead to variable appearances, and end of sentence recitation is the most complicated way of all. Senior scholars didn't do research on this question, so the writer trying to analyze the variation about the end of sentence of Southern Min recitation dependents on senior scholars and personal experience .It's my privilege to receive guidance from experts.

並列關鍵字

end of sentence ； four tones ； recitation style ； recite ； Southern Min