戴表元詩學思想中的「清」、「神」之論

View on Being-Clear and Being-Spirit in Daibiaoyuan Theory of Poem

劉飛(Fei Liu)

《遠東通識學報》 2卷1期 (2008/01) Pp. 85-94

https://doi.org/10.6795/JFEUGE.200801.0085

摘要

清，不僅是戴表元本人文學創作的一個主要風格，而且戴表元還把它作為點評詩歌、稱讚人物的重要標準。戴表元之尚清，也反映了元初詩壇的一個審美趨向。神，是戴表元著重從讀者的角度提出的關於詩歌審美的另一境界，同時，也是對創作技巧的最高要求。

關鍵字

戴表元 ； 詩學 ； 清 ； 神

並列摘要

Being-Clear is not only one of main style of Daibiaoyuan』s literary creation, but also an important criterion of poem and man, and his advocacy on it reflects the aesthetic tendency of poetic circle at his times. Being-Spirit, as another kind of acme of poetic aesthetics, is put forword emphatically by Daibiaoyuan just from reader』s point of view. Meanwhile, it is also regarded as a highest demand for writer』s creation skill.

並列關鍵字

Daibiaoyuan ； Theory of poem ； Study of poems ； Advocacy on Being-Clear ； Being-Spirit ； Sign of Being Without Sign