The landscape can be considered an aesthetic object and can be critiqued as though it were an artwork. It is the product of human effort and creative imagination; nature shapes forms in the human mind and fantasy, and forges changing events according to the rate at which the subject moves, the climatic conditions, the seasons and material (from water to desert, from rocky terrain to grassy fields). Among the objects in nature a kind of choreography of sensible knowledge is created. Due to the varied forms of the beauty of the earth's surface, our movements, the impressions we have, and their relations, we can compare certain themes pertaining to the eighteenth-century and romantic sensibility with more recent themes in earth art. Interventions on the ”territory” can reveal aesthetic strategies whose roots are in the eighteenth century.