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The landscape can be considered an aesthetic object and can be critiqued as though it were an artwork. It is the product of human effort and creative imagination; nature shapes forms in the human mind and fantasy, and forges changing events according to the rate at which the subject moves, the climatic conditions, the seasons and material (from water to desert, from rocky terrain to grassy fields). Among the objects in nature a kind of choreography of sensible knowledge is created. Due to the varied forms of the beauty of the earth's surface, our movements, the impressions we have, and their relations, we can compare certain themes pertaining to the eighteenth-century and romantic sensibility with more recent themes in earth art. Interventions on the ”territory” can reveal aesthetic strategies whose roots are in the eighteenth century.

被引用紀錄


吳佳真(2015)。心理距離與利他利己動機對汽車共乘意願的影響〔碩士論文,國立交通大學〕。華藝線上圖書館。https://doi.org/10.6842/NCTU.2015.00765
Lee, C. M. (2011). 利用腦電波訊號之循環交替模式偵測 [master's thesis, National Chiao Tung University]. Airiti Library. https://doi.org/10.6842/NCTU.2011.00894
Lin, C. Y. (2017). 用於酒精偵測的多波段紅外線發射器 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU201702475
Lee, T. Y. (2011). 利用行為比對分類之加殼病毒偵測 [master's thesis, National Taiwan University]. Airiti Library. https://doi.org/10.6342/NTU.2011.03279
Lin, C. P. (2012). 車用WiFi網路中的碰撞分析 [master's thesis, National Central University]. Airiti Library. https://www.airitilibrary.com/Article/Detail?DocID=U0031-1903201314455942

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