民俗文化於動畫的應用－以金門風獅爺與動畫《閻小妹風獅爺大會》為考察對象

FOLKL CULTURE APPLICATION OF AMINATION -TAKE FOLKLORE ＂WIND LION GOD＂ AND ANIMATION ＂YAMEME WIND LION GOD FAIR＂ AS RESEARCH OBJECTS

蘇新益(Hsin-Yi Su)

《南亞學報》 37期 (2017/12) Pp. 216-244

摘要

民俗文化具有豐富、永恆的藝術魅力，經過提煉萃取、創新改造後，成為文化創意產業的文化資源價值核心。隨著時代快速變遷與科技突飛猛進，由民俗文化改編的作品，彼此不斷地滲透、交織、融合，呈現出種種不同的嶄新面貌。當傳統文化無法滿足於現實社會生活中的變化時，就需要文化創新，而文化創新則不斷地產生許多新的文化現象。金門風獅爺擁有傳統的民俗文化，流傳數百年而不墜，可說是「文化傳承」；動畫《閻小妹風獅爺大會》賦予金門風獅爺新形象、新故事，可謂是「文化創新」。因此，本文以上述兩者進行考察研究，探討民俗文化如何應用於動畫。本文中，首先探溯金門風獅爺源由、敘述金門風獅爺的民間傳說；繼而考察金門風獅爺與動畫《閻小妹風獅爺大會》兩者之間的變異；最終再進行歸納總結。

關鍵字

民俗文化 ； 民間傳說 ； 風獅爺 ； 變異性 ； 3D動畫

並列摘要

Folk culture is full of extensive and eternal artistic charm. After refining extraction, innovation and transformation, it became the cultural resource core of cultural and creative industries. In a time of rapid change and the advance of technology, the revises of folktales are continuing to penetrate, intertwined, integration to show a variety of new look. When the traditional culture can not be satisfied with the changes in the real social life, it needs cultural innovation. ＂Kinmen Wind Lion God＂ is a traditional culture with folk culture and religion, passed down through hundred years, could be seen as cultural heritage; ＂Yameme Wind Lion God Fair＂ gives Kinmen Wind Lion God a new image, could be seen as cultural innovation. Thus, this paper is going to analyze two of them and discuss how folk culture are applied to animations. It starts from the origin of Kinmen Wind Lion God and talks about it, analyzes the variability between the folklore ＂Kinmen Wind Lion God＂ and the animation ＂Yameme Wind Lion God Fair＂, and concludes it.

並列關鍵字

Folk culture ； Folklore ； Wind Lion God ； Variability ； 3D Animation