台灣日治時期傳統文人對現代性的容受與拮抗－以古典詩作為分析對象

本文首先從台灣古典詩當中呈現的西曆之運用、星期制之引進以及都市的現代化革新探討人們時間感與空間感的變更。其次，要告別「前現代」的陳腐過去，則必須有一番除魅的工作，官方透過教育體系以傳播科學化與理性化的思維模式，民間的傳統詩人也藉由漢詩創作而意圖扭轉累積多時的迷信思想。另外，對於自由戀愛／自由婚姻，傳統詩人普遍採取負面看法，但是其中少數女性文人則能提出順應時代潮流的進步論點。至於「斷髮」在東亞各國中各有不同的敘述脈絡，台灣與日本較為相似，往往將其與「文明開化」連結在一起，形成一股流行風潮，未出現韓國激進推行「斷髮令」所形成的社會動亂，也未如中國那般將斷髮視作懷抱漢民族革命思想的外在標誌。台灣日治時期的傳統文人看待同屬東亞地區的日本與中國時，評判的標準往往也是現代性的有無而非感性的愛恨情仇或虛幻的祖國認同，從中也表現出台灣傳統文人對於「遲到的現代性」與新文人一樣頗有焦慮之感。總而言之，從台灣日治時期的古典詩作中，可以看出這些漢詩人們對於現代性事物雖有矛盾的心情以及多元的樣貌，然而大部分對於現代性則往往表露出拮抗的心態，某些在戰後受到高度揄揚的詩人，或許有值得重新評價的空間。

關鍵字

台灣史；台灣文學；東亞史；除魅；現代化；漢詩

並列摘要

In this paper, a discussion of Taiwan's classical poetry will reveal the changes of sense on time and space in the modern time. Secondly, to bid farewell to ”pre-modern,” there must be some ”disenchantment” work, the traditional poet diverted people's superstition through poetry creation. In addition, most of the poets did not support the freedom of love and marriage. ”Hair cut” in the East Asian countries have different state of development. Taiwan and Japan are similar; it often linked ”hair cut” together with ”modernization” and formed a popular fashion. Finally, the comment on Japan and China from Taiwan's classical poets is based on the degree of civilization. These matters were not supported during that time, but some of them were already generally accepted by the populace (for example, the freedom of love and marriage). There are some bad customs which they had to want to reform, and now is still deeply entrenched in the community (such as extravagance and waste of Hungry Ghost Festival). They did not entirely resist the modern things, but they did not accept all of them, either, which demonstrated, complex and diverse situations.

並列關鍵字

Taiwanese History ； Taiwanese Literature ； East Asian History ； Disenchantment ； Modernization ； Taiwan Classical Poetry

國際替代計量

台灣日治時期傳統文人對現代性的容受與拮抗－以古典詩作為分析對象

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