台語文ê工具性挪用：呂訴上國策劇本ê生產脈絡kap定位

呂訴上（1915-1970）戰後tī《台灣文化》2.2-2.4（1947.02-07）發表1篇文章〈台灣演劇改革論〉，強調「台灣戲劇和國家目的能融洽的協同體」。「國家的意志」kap「國家目的」tsiâⁿ－tsò呂訴上編劇、做戲、tshui－sak戰後「台灣演劇改革」運動理想ê指導原則，mā ē－sái講是核心ê政治邏輯。「政治邏輯」tī tsia kap台語文化ê商業邏輯、自主ê民間邏輯相對，簡單講，指稱戰後國民黨統治所包含ê文化政策、語言政策、廣電政策，對台語文化類型ê生產、再生產發揮消極制限、積極引導、「決定」ê政治性力頭kap意識形態基礎/頂層建築（base/superstructure）。Khéh呂訴上戰後出版、發表ê台語「國策劇本」來講，反共產黨ê戲劇主題、文化宣傳ê功能設定，tō是lán講ê政治邏輯ê產物。Tsiah－ê國策劇本ê戲類（文類）部分屬tī歌á戲tsit－lō民間類型。Lán講歌á戲屬tī「民間」ê台語文化類型，tō是強調tsit－lō文類有i本底ê常民文化基礎kap生產條件－商業邏輯kap民間邏輯。呂訴上théh國策主題來「改良」，窮實是政治邏輯對商業邏輯、民間邏輯ê違犯kap再利用。換一句話來講，呂訴上ê國策劇本「誤讀」民間文類，是台語文ê工具性挪用（appropriation）。本文tō按算uì tsit－ê角度，探討呂訴上1940、50年代所寫台語劇本ê生產脈絡，koh針對tsiah－ê文本做初步ê歷史定位。

關鍵字

國策劇本；挪用；互文性；鄉土文體； Tîm-bih文化

並列摘要

In 1947, Lī Sò-siōng(1915-1970), a dramatist, wrote the article, ”On the Reform of Taiwanese drama” for Taiwanese Culture 2(2-4), addressing, ”As a collaborative genre, Taiwanese drama should be incorporated into the purposes of the nation-state ruled by the KMT.” Consequently, ”the Will and Purpose of the nation-state,” served as the guiding principle in Lī's dramatics and in his ideal project of reforming Taiwanese drama after the second World War. In a sense, they were also the core of the political logic of the time. ”The political logic,” theoretically speaking, is a category contrary to ”the commercial logic” of Taiwanese culture and the self-determining ”people's logic,” especially referring to the government's cultural, language, and mass communication policies under the KMT rule in post-war times. These policies served as both the base and superstructure determining and reshaping Taiwanese culture. Lī's nationalpolicy dramas exemplify such a dominant logic; namely, his dramatics could be regarded as the product of government's political logic, and by often revising and transforming original Taiwanese stories to fit national policy themes for his national-policy plays Li's Taiwanese(TG) plays are examples of TG literature appropriated intrumentally.