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從後現代電影研究觀點看服務學習成果影片的形式與內容

The Form and Context of Service-Learning Outcome Movies From the Perspective of Postmodern Film Studies

摘要


本研究之分析將聚焦於「服務學習成果影片」的評審及製作,將其視為一種電影文本,探究其在後現代情境下對於服務學習之形式與內容可能產生的影響,並對服務學習成果影片之評審與製作,提供實務上的建議。希望可以更有效的呈現服務學習之成果,並有助於服務學習各項方案之推廣。本研究回應後現代脈絡中的服務學習成果影片特性,將其放置在劇情片(類型電影)及紀錄片的框架下,建議未來的服務學習成果影片之評審及製作,應以影片紀錄取代相片拼貼、以訪談對話取代旁白字幕、以大眾視野取代小眾共鳴。服務學習成果影片必須從這兩個類型的電影文本中借光借火,在敘事架構上仿效劇情片種中的類型電影,試著以「類型」的角度去塑造成果影片的共通性與獨特性,以更開放性的方式、以電影製作的邏輯去嘗試在內容與形式上的變化。同時強化類型電影在引發觀眾認同及投入的電影機制,並將宣傳的概念納入影片製作的過程。此外也可將紀錄片的反省與對話特質運用在反思的呈現之上,以提升服務學習成果影片之深度與廣度。

並列摘要


"Service-Learning Outcome Movies", regarded as one kind of film text in this study, have, in postmodernism context, affected both form and content of Service-Learning. Thus, this paper focuses on how such movies are judged and how they are produced; moreover, this paper will provide practical advice in the hope that the results of Service-Learning will be more efficiently exposed, and that various programs of Service-Learning will be successfully facilitated. In this study, we define Service-Learning Outcome Movies under postmodern context as a juxtaposition of the drama film (genre film) and the documentary. We suggest that, in the future, the evaluation and production of these movies should replace photo collages with film records, replace the subtitles with interviews, and replace the minority's resonance with the public's vision. We anticipate that the producers of Service-Learning Outcome Movies will learn from both the drama film and the documentary, and try to appropriate the genre film language to enhance Outcome Movies' universality yet uniqueness. With more open approaches, with cinematographic logic to differentiate both form and content, and with intensifying conception toward genre films, it is hoped that audiences will feel identified with and engaged in such filmic mechanism. Meanwhile, it will be beneficial if promotional concepts can be woven into the process of film production. In addition, introspection and dialogue, for which the documentary is renowned, can also be applied to the reflection on films' presentation so as to reach more depth and breadth of Service-Learning Outcome Movies.

參考文獻


王岳川(1993)。後現代主義文化研究。臺北市:淑馨。
王慰慈(2003)。臺灣紀錄片的類型發展與分析─以Bill Nichols的六種模式為研究基礎。廣播與電視,20,1-33。
李道明(2009)。從紀錄片的定義思索紀錄片與劇情片的混血形式。戲劇學刊,10,79-109。
李顯立等人(譯)(1999)。電影敘事:劇情片中的敘述活動(原作者:D. Bordwell)。臺北市:遠流。(原著出版年:1985)
吳振邦(2004)。先報告班長,再成為男人?─國片軍教電影的變遷與性別論述(未出版之碩士論文)。輔仁大學大眾傳播研究所,新北市。

被引用紀錄


蔡昕璋(2020)。2010年代臺灣學生事務的社會脈動與相關研究分析學生事務與輔導58(4),13-32。https://doi.org/10.6506/SAGC.202003_58(4).0003

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