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空間異化與文化抵抗:宜蘭社區藝術空間之理念與實踐

Space Alienation and Cultural Resistance: The Idea and Practice from the Community Arts Space of Yilan

摘要


本文分析宜蘭從1980年代拒絕工業化的異化空間,到提倡地方的文化觀光產業,其中藝術介入社區及社區藝術化成為許多社區提升在地文化能量,作為抵抗空間異化之具體實踐。本研究分別透過宜蘭港邊社區裝置藝術與再生藝術及宜蘭白米社區木屐村再生等為案例,分析其社區之文化藝術行動及其抵抗。

並列摘要


This paper analyzes the resistance of space alienation, focusing on how Yilan rejected the space alienation of industrialization and promoted the local cultural tourism industries from the 1980s. It somehow enhances the local culture energy by the arts-community and community-arts. This research has investigated the actions and resistance of the Yilan Gang-Bian community installation art and Bai-Mi community clogs village of arts and cultural action.

被引用紀錄


朱筱琪(2015)。參與式藝術行動計畫之實踐與反思-以新屋藝家人為例〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2015.00115
張馨文(2016)。從空間生產歷程探索社區營造的虛實演進〔碩士論文,國立臺北大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0023-1303201714244621
吳名揚(2016)。以AHP法探討農村社區景觀自主營造之成功因素〔碩士論文,國立虎尾科技大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0028-2107201616051400

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