永恆的鄉愁—論羅智成的夢想詩學

本文主要探究羅智成的夢想原型，從理想人格到永恆的鄉愁，可以看出在個人與群體之間，詩人的孤獨往往是對現世的不滿，對文明進化的焦慮，對記憶消逝的不安，轉而形塑一個存乎內心、存放於文字國度的理想世界。而羅智成擺盪在現代主義與後現代主義之交，建構／解構的思維流動拉扯，甚而面臨「現代性」的衝突。在「時間」與「空間」的意義上，呈顯了某些清楚的對照：即「過往失落的理想」相對於「未來理想的追尋」、「外在文明的演變」相對於「內在心靈的轉化」，而綰合了「個人潛意識」與「集體潛意識」，敘說記憶深蘊的「神話」—一座永不可能存在現世的「桃花源」。而羅智成構築的夢想詩學，整體來說，既是對過往記憶的懷想，亦是對理想主義的投映，企圖扭轉此世文明的殘缺，轉以夢來抗禦現實，卻也成了永恆的鄉愁。

關鍵字

羅智成；夢想詩學；鄉愁；現代性；桃花源

並列摘要

This paper discusses the prototype of Luo Chi-Cheng’s reverie. Between the individual and communities, the poet is solitary that often dissatisfied for the reality, anxious about civilization’s evolution, and disquiet the disappeared memories, when he turn to shape a ideal world that existed in the mind. Luo Chi-Cheng swing in modernism and postmodernism, construct/deconstruct of thinking, and even faced with the conflict of modernity. In the significance of ”time” and ”space”, that were clearly contrasted: ”the ideal of the past lost” is opposite to ”the pursuit of an ideal future”, ”external evolution of civilization” is opposite to ”inner spiritual transformation”, and he combine the ”personal unconscious” and ”collective unconscious”, he narrates ”Myth” within the memories--Arcadia is never be exist in the present world. Luo Chi-Cheng constructs poetic dream, as a whole, that thought back the past memories, and also reflected Idealism. When the poet attempts to reverse the deterioration of civilization in present world, they turn to use dreams to resist reality. As a result, it has become eternal nostalgia.