Conceptions of Painting in the Shang and Chou Dynasties Part I

周明初（2009）。The Ci-poet and the Beauty: The Ci-poet' Inscriptions on the Beauty Painting in Song, Yuan, and Ming Dynasties。中正大學中文學術年刊，(14)，197-233。https://doi.org/10.7013/CCTHCWHSNK.200912.0197
陳昭昭、方中士（2013）。The Scholar Painting in the Yuan Dynasty & Fuzzy Esthetics。嘉南學報（人文類），(39)，270-283。https://www.airitilibrary.com/Article/Detail?DocID=a0000463-201312-201410280022-201410280022-270-283
林逸安（2006）。The Study of Chinese Paintings Brainchild Connotation and Art Form。造形藝術學刊，()，159-172。https://doi.org/10.29830/TPAD.200612.0007
ts'an, L. L. (1968). THE LANDSCAPE PAINTINGS OF THE NORTHERN AND THE SOUTHERN SUNG DYNASTIES. National Palace Museum Bulletin, 3(3), 1-13. https://www.airitilibrary.com/Article/Detail?DocID=NPMY1011906x-196807-202001050852-202001050852-1-13
林巳奈夫（2000）。The Ti-ch'i Figure on Artifacts of the Shang and Chou Dynasties。國立臺灣大學美術史研究集刊，(9)，1-13+238。https://doi.org/10.6541/TJAH.2000.09.09.01