新興台灣民俗藝陣電音三太子之探究

The Research on New Taiwan Folk Art Parades with Electronic Nezha Deity

方玉民(Yu-Min Fang) ； 李勝雄(Sheng-Hsiung Li)

《屏東教大運動科學學刊》 8期 (2013/04) Pp. 55-72

摘要

傳統民俗藝陣與流行電音是如何的變遷，三太子神將給人嚴肅莊敬的感覺，而新興藝陣電音三太子給人酷炫的感覺，從傳統到電音，從舊有到創新，使傳統民俗藝陣更具可看性。本研究旨探究新興民俗藝陣電音三太子及三太子神將源流及三太子神將與其影響轉型之因素。用以人種誌研究法輔以訪談法及田野調查並運用三角交叉驗證法研究檢驗，加以分析、歸納、整理與分析。結論如下：一、嘉義朴子太子會從傳統中創新，將神像三太子出陣的鑼鼓伴奏改為現代流行音樂及電音舞曲，將其傳統民俗藝陣現代化，並加入混音、LED科技等新元素吸引非信徒的目光，打破一般民俗藝陣出巡時高不可攀的神聖性。二、隨著社會環境與藝陣內部的主觀因素的交互影響下，傳統大仙尪仔均產生了變化，歸納導致造成其變遷的因素，因素包含經濟發展、陣頭之間的競爭、文化因素影響、內部因素影響等幾方面。隨著時代及社會潮流的改變中，該如何讓傳統宗教精神繼續延續，對人民來說，是一個非常重要的課題。該如何能在傳統與現代中取得平衡點，是未來的我們必須要去面對期克服的一個嚴峻的問題。

關鍵字

民俗藝陣 ； 電音三太子 ； 三太子神將

並列摘要

Observing the changes of traditional folk art parades and fashionable electronic music, traditional holy generals deliver serious and solemn feelings while electronic Nezha deity presents cool feelings in the new style parade. The fusion between the traditional and electronic styles, from old folk to innovation, creates more eye-catching effects for traditional folk art parades. The purposes of thisresearch are to discover the cultural differentiation between new electronic Nezha deity and traditional holy generals, and to discover the key elements effecting the changes. The research design is ethnography method, supported by interview and field investigation, examined by the triangulation. After analyzing, inducting and integrating, we could find the conclusions as below: The first is that the Nezha deity festival at Chiayi Puzi presented the innovation from the tradition, for Nezha deity's tour of inspection, using the new modern fashionable music and electronic music rather than traditional accompaniment of gongs and drums. Modernizing the traditional folk art parade, adding mixed music, LED technology and some new elements, attracted the non-followers' attention and broke the untouchable holy line of the traditional folk art parade for the tour inspection. The second is that we could find the changes on traditional holy generals, with the interactive influence between social circumstances and internal subjective elements of folk art parades, as well as could induct some elements causing the changes, including economic development, the competition between folk art parades, cultural influence, internal influence and etc. In the changing flow of the age and the social trends, how to keep continuing the traditional religion spirit, for people, is an important issue. How to seize the balance point between the tradition and the modern is a severe long-term agenda we have to face in the future.

並列關鍵字

Folk Art Parade ； Electronic Nezha Diety ； Traditional Holy Generals