摘要
安徽宣城人梅膺祚於明神宗萬曆43年(1615)編纂完成《字彙》一書，該書注音的體例是，每字之下先列反切，反切之後再加直音，如果直音無其字，則用某字四聲相承關係來注音。本文以自行開發的「字書音系資料庫」建檔，逐一輸入有音切的各字，共得音注27, 219筆，若加上「一字多音」的音注，總數達到33, 674筆。 日本學者古屋昭弘教授(1998:144-145)觀察到《字彙》一書的韻母特徵有：1.舌齒字開合相混例；2.臻、深、梗三攝相混例；3.山、咸兩攝相混例。此外本文也發現例字數量少於前述的相混例有；4.臻攝入聲與通攝入聲相混例；5.臻攝與曾攝相混例；6.臻攝與山攝相混例；7.深攝與曾攝相混例；8.梗攝入聲與宕攝入聲相混例；9.梗攝與通攝相混例；10.山攝入聲與宕攝入聲相混例。 本文之撰述即在古屋教授的研究基礎上，對每一類做有系統的舉例以及說明，最後說明韻尾相混的可能讀音，藉以凸顯《字彙》一書的韻母特色。
並列摘要
In the wordbook Zi Hui (”Vocabulary”, AD 1615), which was compiled by Ying-zuo Mei in the Ming dynasty, the phonetic notation consists of fanqie, zhiyin and characters with different tones if no homophone can be found. More than twenty seven thousands phonetic notations were collected in our database of Phonological Systems of Chinese Wordbooks. The sum increased to more than thirty three thousands if the homographs were included. Based on Huruya (1988: 144-145) regarding the finals used in Zi Hui, this study aims to exemplify the types of mixed finals observed. Seven more types will also be identified and investigated.
延伸閱讀
- 金周生（2010）。《經典釋文》與《廣韻》「來」母反切上字之比較研究。輔仁國文學報，(31)，1-24。https://doi.org/10.29445/BDCLFJCU.201010.0001
- 王碩荃（2000）。韻式「成格」淺析－詞的音律探討之一。聲韻論叢，(9)，179-208。https://doi.org/10.29753/CP.200011.0010
- 金鐘讚（1992）。論《說文》一些疊韻形聲字及其歸類問題。聲韻論叢，(4)，89-124。https://doi.org/10.29753/CP.199205.0005
- Yue, X. (2022). The Analysis of the Multiple Human Nature of Fa Hai. International Journal of Social Science and Education Research, 5(1), 136-138. https://doi.org/10.6918/IJOSSER.202201_5(1).0022
- 黃羽璿（2017）。Hao Jing's Studies on the Liji。漢學研究，35(3)，253-288。https://www.airitilibrary.com/Article/Detail?DocID=02544466-201709-201712180014-201712180014-253-288